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Joyo JF-08 Guitar Digital Delay effetto pedale True Bypass

Joyo JF-08 Guitar Digital Delay effetto pedale True Bypass

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: Caratteristiche un circuito di filtro speciale per strettamente riprodurre i suoni di ritardo analogico
.
tempo: per regolare il tempo di ritardo;
REPEAT: per regolare l'intensità del segnale di retroazione;
livello: per regolare il rapporto di miscelazione di ritardare il segnale & segnale originale.
intervallo di tempo di ritardo: 25ms-600ms.
True bypass design minimizza la perdita di tono.
rivestimento in lega di alluminio con finitura di vernice stufa.
alimentato da un 6FF22 9V batteria o 9V DC adattatore di alimentazione (non incluso).

specifiche:
intervallo di tempo di ritardo: 25ms-600ms
tensione: 9V
corrente: 40mA
dimensione pedale effetto: 11,8 * 8,7 * 3,8 centimetri / 4.6 * 3.4 * 1,5 in
peso pedale effetto: 380g/13,4 once
dimensioni del pacco: 13 * 10 * 6 cm / 5.1 * 3.9 * 2,4 in
peso del pacchetto: 417g/14,7 oz

lista del pacchetto:
1 * pedale effetto
1 * manuale utente

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Q

What is the power source on this pedal??

A
  • DC powered or use 9volt battery

    By I hate scammers on July 18, 2018

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  • By A. Galiano

    December 16, 2017

    Sounds like a delay. My ear is not picky enough to care about the nuances between different makes and models, most of which are imaginary anyway. Uses the exact same chip as almost every other delay out there, has the usual 3 controls and true bypass 3PDT switching, although the switch is wired up strangely. Does what a delay is supposed to do - from one echo all the way to spaceship feedback noise, and the sort of reverby effect that I was really after. Build is solid. Actually, I gutted it and installed the circuit into a very cool little amplifier project. Works perfectly on the shared 12v power supply. Needed the cheapest delay I could find that did not use buffered switching, and this one was perfect.

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  • By M. Sever

    December 13, 2017

    Truly great tones if you are going for that Marshall sound. You can use this with an amp, but it is most useful as an amplifier emulator going direct. I was at a music store and A/B'd this against 5 other pedals (each that were over $80 used), and the only one I liked better was the Box of Rock that I ended up picking up. But then I got home and the Box of Rock did not sound as good with my Tele as this one did so now I am regretting getting rid of this. The only problem is that it is NOISY when you crank up the gain (the BOR is definitely quieter). Lots of hiss. So I could only turn the gain up about halfway (with the voice control at about 3:00) to make the noise tolerable but I was still able to get some really good crunchy sounds out of it at that level. And if you want light grit this does that very well too. Took a little tweaking with the Voice control to get it where I wanted it, but was really happy with the result once I got it there. So for the price I don't think you can do much better. I cannot confirm how much of a tone sucker this is as I had two Joyos and had either one of them on all the time so I wouldn't really know the impact on my clean signal.

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  • By AT

    December 12, 2017

    The Joyo pedal looks kool and has some kool features but those are the main pros. Ive never been a big fuzz kind of player but i figured its only $40 so why not? The first thing i learned about this pedal is It does what it's suppose to do but with some drawbacks. There is veryyy loud feedback through the pedal. If you go this pedal and didnt have a noise suppresser you'd be up the creek. Although it is a fuzz pedal is it does "fuzz" things then that's why I give it 4 stars. I deduct 1 star because the loud feedback. But in the long run I would just check other pedal out and look for a better alternative.

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  • By JesseLee

    December 5, 2017

    I bought this pedal a while back, maybe a couple of months... I waited to write a review about it because i didnt want to leave some hyped up garbage and have it fail miserably after a short while... Im happy to say that after a few months im still very impressed with this pedal. The hp lp switch makes it very versatile and it doesn't lose the bottom end the way my other overdrive pedals do(Boss Blues Driver, and BBE Green Screamer). It keeps the bass frequencies right where they should be and just overdrives your signal in a sweet way... Im not ususally a person to write reviews but this pedal inspired me to do so. The one thing i will say about the pedal thats a little different for me, is the volume is very high to start with... i keep mine about half and half on the volume and gain... It has a lot more headroom but im not really up for blowing people away with my mind melting solos. Overall the build quality is really impressive. I looked at the Fulltone OCD and compared the idea of spending another hundred bucks for it but ultimately decided to pass. If your in the market for a cheap pedal that performs and you aren't overly concerned with a "Brand Namer" Then this is probably the pedal for You... Im very happy with mine.

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  • By Nathan Christie

    November 30, 2017

    I normally don't write reviews, but I like this pedal. I does not sound exactly like a Marshall, but we all know that the only way to accomplish that is to buy a Marshall. I have never used the Tech 21 British pedal that this is a clone of so I can not say how close it comes to that, but I won't be dropping $170.00 anytime soon to find out either. I bought this to run on a VHT Special 6, which is a single ended tube amp. I am running Mullard re-issue 12ax7's and a NOS RCA 6V6GT. With that set up this pedal does a pretty good Marshall tone. Gets even closer if I swap the 6v6 for a EL84. In fact, it does the best $35 worth of Marshall tone I have ever bought for $35. The settings are very close to the Tech 21 setting guide, at least to my ear. I can get a fairly decent vintage Plexi out of it. The true bypass is also clean, unlike other clone "true bypass" pedals I have tried that were not actually true bypass and sucked the tube tone right out of my amp. It's not a high gain pedal, more of a boost and voicing/foundation pedal. I liked it better than my tube screamer clone as a boost so I don't even use that pedal now. It works good in my effects loop too which is actually touchy on that amp. The EQ is nice if you have a small tube amp that has a fixed tone stack like mine. This pedal also does not take away from tube amp responsiveness to touch and attack like my tube screamer clone does. It does get noisy like other reviewers have stated, especially when you start to crank the voice knob past 12:00 or dime the drive.That's why I only gave this pedal 4 stars. Otherwise, for value for the money I would have gave it a five. I'm impressed at what Joyo put into this for the price, and I will try their other pedals in the future now.

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  • By Patrick Richards

    November 24, 2017

    Bear in mind thay I am a lo fi, blues/funk rock player who loves distorted tones. Now: Is this a boutique fuzz, made by hand in America? No. Does it have a ton of great fuzz tones that you'll have a blast tweaking and messing with? Yes. Built like a tank and capable of everything from just a pinch of fuzz to full on fuzzageddon, the JF-12 has a huge range of musical, usable tones. The octave up effect, like most, doesn't track perfectly and definitely works better with single note riffs and leads than with chords. Engaging the mid cut switch kicks in fat , creamy sustain for days. I am very happy with this steal of a pedal, it made an immediate impact on my playing and songwriting. Definitely worth a listen for the money. Four stars because nothing is perfect.

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  • By OldSchoolClassic

    October 27, 2017

    I bought the Joyo Ultimate OD mainly because it was cheap and I wanted something to stack with my Bad Monkey, which would have a little more drive. Very pleased. Now for a deeper look. I keep the mini toggle on LOW as it compresses the signal and creates a bluesy tone. The HIGH position is looser and louder-not bad at all, just not my style. Most folks will probably prefer HIGH over LOW. Build quality is as good as anything else. Not sure what's under the hood, but the pots and switches are good quality as are the jacks and 9V connection. The pots all have easily discoverable sweet spots. I had it dialed in to my preferences in minutes. It IS gain-y. With the drive at 10 o'clock it provides what I'm looking for. Higher gain settings are nice, too. I use the Bad Monkey to push the U OD, setting the Monkey's gain very low and the level up to push the volume and clarity of the U OD for solo work. Great results with Fender tube amps, a red stripe Peavey Bandit and an assortment of tube and SS modelers. If you are looking for that "in between drive" tone straddling OD and Distortion...this will make you happy. Plays well with stacked pedals and is tube and SS amp friendly. Downside....? That hideous devil face graphic. It's embarrassing! Woulda got a 5 without the devil face...LOL.

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  • By Ryan P. Long

    September 16, 2017

    I needed something to take my rock amplifier into metal territory. The first thing I tried was an MXR Prime Distortion, but it didn't have enough oomph. The next thing I tried was the MXR Fullbore Metal, and that was good, but I felt like it took complete control of my tone. I lost the sound of my amp. It was also had a high end that was difficult to tame. So I thought I'd try an OD pedal instead. I don't dig Tube Screamers, and all the reviews said this was an OCD clone. I don't actually know - I've never played an OCD pedal. Too rich for my blood. I tried this one because it was cheap and true bypass. Well, the tone is perfect. Combined with my amp's tone, it's enough to push my tone from hard rock into metal, but without losing the core elements of my tone that are so important to me. I don't use it for solos or boosting or any of that. I use it strictly to thicken up my rhythm tone for my heaviest songs. It's perfect for that. In fact, I'm surprised that an overdrive pedal - one that sounds pretty "overdrivey" when the amp is clean - has the capability of taking me into metal territory. But this does the trick. Saved me from having to get a new amplifier. Truth be told, it is a little noisier than I expected. It is probably less noisy when the amp's gain is lower, so I'll assume most of the noise is due to my own rig's settings. I can live with the noise. When the whole band is playing, you don't notice it. Overall, just a great overdrive. Not too trebly, not too gainy, not thin. Worth twice what I paid for it. Well done, Joyo.

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  • By Michelle A. Puziss

    September 7, 2017

    This thing sounds amazing- except for one small problem: At higher gain settings it hisses like a mother. I'm not talking about extreme settings, just gain and "character" (thats what Tech 21calls it- forgot what Joyo calls it) at 3 o'clock. It has a beautiful WARM singing lead tone-better than any pedal that I have owned ( and that's probably 20-30 distortion/overdrive pedals) If only it didn't hiss so much it would be my main lead pedal. If you have a Rocktron Hush or other noise gate pedal, it is worth considering. The Joyo is an EXACT clone of the Tech 21British pedal, which costs $189 (?). I don't know it the tech 21 has the same hissing problem or not.

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  • By Namerof

    September 2, 2017

    I bought this pedal for fourteen smackers and that included prime two day shipping on a special that amazon had. I sanded it and took off the demon picture and repainted it. I still don't understand the devil thing and hard rock music. What makes people want things that represent evil? Anyway, it is a decent pedal. It is very much a distortion pedal not an overdrive. Even at the lowest setting it is mildly distorted. There is NO clean sound from this pedal. It can't be used as a clean boost. At about 8 o'clock on the gain knob you will notice a fairly quick jump from "not much" to "noticeable" distortion. It is not real gradual as you might think. The tone knob can give you shrill treble when dimed out and at about 12 oclock it becomes very muddy. It can cause some serious feedback when turned up, and that can be fun.....or not. Next to my Klon it sounds very compressed and therefore can get lost in the mix. Having said all that, it's not bad for the money. I would not have it on my board as a standard, but for the occasional Hendrix song it can scream.

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  • By Kell Baker

    August 22, 2017

    It's not a Maxon or an Ibanez, but for thirty clams, it's probably the best clone out there as far as tone, quality and construction. Solid aluminum housing, nice build quality, and clean interior. Quiet switch. Looks and reacts like true bypass to me. No noise unless the knobs are dimed out and even then it's mostly feedback, which doesn't bother me. If you've ever owned the real deal, you realize right away that this pedal comes pretty close to matching a lot of the same tones of an 808 or a TS9. (Includes the JRC4588 chip that tubes creamers are renowned for.) The drive and volume knobs provide good variation and work together well. The tone knob gets about a 12 o'clock setting and everything to the right of that was way too bright and thin for my liking. This is the point of separation between this well done clone and the real deal. I dropped it on my main pedal board rig between the EQ and distortion pedals... plays real nice with the Pro Co RAT at low distortion levels... jumped between driving blues and AC/DC riffs nicely, which is straight up how I measure a good overdrive. Sounded great through my Blackstar head (clean channel) through Celestion V30s. Put it alone on my modded Ampeg R212R and drove it into pretty sweet blues territory. Gets real dirty if you amp up the drive and volume. Sensitive tone dial is going to take some time to get used to. Bottom line. It's a quality cheap fix for replacing a TS. It doesn't stop me gassing hard for a Maxon OD 808, but it will serve as a great back up and a standalone for my second rig. I'm happy in between tube screamers, let's see how long it lasts.

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  • By tommy rehbein

    August 8, 2017

    This is a solid economy delay pedal. For $40 you're getting a great deal: It sounds good, comes in a heavy duty enclosure, and is made with higher quality components that other pedals at this price-point. I work for a company that makes boutique effect pedals, so naturally, I have a habit of taking everything apart to see under the hood. I was expecting to find a bunch of crap but was surprised to see metal film resistors (much better than carbon film resistors), good jacks, and a 3PDT true bypass foot switch. Another person made the comment, "there's no way this pedal is true-bypass," because of alleged noise. I can assure you from taking it apart, it is. That other individual may have something else mucking up his/her signal path. Another thing that I like about this pedal is all the components are through-hole instead of surface mounted, so it's very easy to mod. I added a "Slam" switch to mine and did other minor tweaks. So if you're a modder, check this one out. As with any delay, I would recommend running the pedal off a power supply because delays and chip-based pedals (chorus, loopers, etc) tend to eat batteries like a hungry Pac-Man. In fact, I would recommend using an isolated power supply (Voodoo labs, etc) because daisy chaining will give you noisy and sometimes unstable results depending on how much other stuff you're running off the chain. I only stated that because that is usually the noise culprit people complain about, not the pedal itself. Totally a good enough pedal to use on your board, but 100% a fantastic back-up to keep in your backpack in case something goes awry, or if you don't want to fly with your expensive gear (we all know how terrifying that can be). Bravo.

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  • By AF

    July 30, 2017

    I bought this pedal to use with my acoustic for live shows in order to even out the dynamics, ie avoid large jumps in volume and slightly boost quieter moments. For that it works perfectly. I have a few other compressor pedals and this one sounds different from the others, it's much more subtle. If you want to get a squished chicken-pickin' sound, this probably won't do it for you. Even on max settings this does not give that kind of sound. But I'm OK with that. I like how it sounds and to my ear it's entirely transparent. I don't notice any change in my acoustic guitar's tone. So yeah, this thing is awesome. I'm only giving 4 stars because I'm interested to see how the thing holds up. Most likely culprits would be the switch or the jacks. We'll see.

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  • By CONN-sumer

    July 12, 2017

    First off, I have heard and played an OCD pedal, but never owned one. I bought this pedal instead, after hearing of its unique Marshall amp big mid to low darkness. I play a fender HRD with an matching extension, and have used this pedal with a Tele Thinline, A Gibson LP and an Epiphone 335 pro. This is not a subtle overdrive pedal. this is huge and dark and big and will color your sound and beef up the bottom end. The build and controls are good, and the high end/low end switch is dramatically different in tone, but make no mistake- this is a distortion pedal- for big, 90's style wicked bottom end. It's not super versatile, and is the furthest thing from a transparent overdrive- but if that's what you want, you cannot go wrong. ***Remember- this is a mid range to low end booster. You want to use this with a scooped amp with a lot of head room, the same way you would use a tube screamer(except for the extreme distortion)- so if you play a Fender style amp great, if you play a Marshall style mid-hump amp, be aware, its overkill mid boost wise- it might not sound terrific.

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  • By DeeBoo

    June 30, 2017

    Nice, durable casing. The only issue I had with the pedal is that the plastic knobs are a bit sticky, and seems like they'll probably strip soon....but the metal posts in the knobs are fine. Nice fuzzy tone. It seems to be true bypass, which is a plus. May just be buffered, but it doesn't suck tone. The standard fuzz sound is a bit shrill to my ears, but with a little eq'ing of the tone knob you can make it work. The octave option is kind of an afterthought. If you are buying this because of the octave option, my advice is don't do it. It really makes little to no sonic difference to me, just adds a little fizzy metallic ring sound, like a dim ring mod, and really only cuts through on single notes or power chords, which is true of a lot of octave fuzz pedals. In my opinion, this pedal excells with the mid-cut engaged. It gives you that nice, fat, fuzzy sound that is great for big, fuzzy walls of sound when ran through some reverb, while leaving those mid tones open for lead guitars, vox, etc. It also is a warmer, fuller tone with the mid-cut on. Some people would disagree 100% with this, and tell you the mid cut sucks and the standard sound is fine. I suppose it depends on your sound and what you are going for. I bought this pedal for MBV/JAMC Shoegaze fuzz/wall of sound and it does the job. I only use fuzz on a couple of my songs, so I didn't want to spend more than I needed. All is in all, this pedal does what it is supposed to and does it well, and the price is right. I would suggest trying one out on your own prior to buying, but if you just can't wait then give it a whirl. I got mine for about $40 and it's well worth it.

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  • By Ed

    June 22, 2017

    I wanted to experiment with one of these, read lots of reviews and settled on this one mostly due to price, and the fact that I've had good luck so far with Joyo pedals. If I was going to use this effect a lot, I might have gone with a more expensive pedal, but right now, I'm glad I didn't. The octave effect is strong if used properly; I am setting (Fuzz) it at 8 o'clock, using the neck pickup, and accepting the fact that any of these only have a strong effect on certain parts of the neck (around the 10th to 15th fret, listen to Blue on Black; he's playing it there). The fuzz is a little too over the top for my tastes, but I think all of this type effect has something similar. I wish you could turn on the octave with a little less (or no) fuzz; the fuzz button has to be on for the octave to work (I think they all work that way though). That's why I'm giving it a 4, along with the fact that it is a big pedal. Construction seems fine, bypass seems to work. Overall, a good buy for the money, fun to goof around with, and something I will probably use twice in a night.

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  • By D. Henry

    June 5, 2017

    Does it have a huge range? No. Does it increase and decrease the volume of your signal with reasonable variability like a tremolo pedal should? Yes. For a $40 pedal it does what you need it to do. Very sturdy design. Nice and compact. My only negative criticism is when you turn the pedal on or off there is a distinct click that gets sent through the rest of your chain. If you're in the back line of a band and you want to inconspicuously turn this pedal on or off (i.e. during a moment of silence or a quite time), you'll need a mute of some sort after it otherwise everyone will hear you click it on or off... especially if you have a reverb and/or a delay pedal on after it as well.

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  • By Treye

    May 1, 2017

    I love this pedal. It is clean and clear. I've not noticed any hiss or distortion from this peal being in my effects chain. This is most certainly not the worlds number 1 digital delay, but for the price it can't be beat. Though this does not have a port for an expression pedal, the Joyo digital delay is great for adding some delay to any mix. Personal I use this along side my tcelectronic flashback and use it to add some ambiance. I would like to have seen a expression port for adding the option to have tap tempo, though this would raise the price. When toggling the pedal on and off, there is an evident click (the same as all other Joyo pedals). This makes it easy to feel (and hear) when the pedal has been toggled. Its personal preference but I prefer smooth non-clicking switches like those found in tcelectronics pedals. All in all, I am very satisfied and would recommend this pedal to anyone looking for a budget friendly digital delay.

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  • By John Kasinecz

    April 23, 2017

    When opening the box I pulled the pedal out it well exceeded the quality I expected from a 35 dollar pedal. The knobs turn well, the casing is heavy, It just felt good. The switch is definitely cheap. you can hear an audible click when it turns on but replacing the switch isn't a huge deal and since it's just a lighter overdrive, you likely aren't going to be turning it on and off. Now, The plugged in details... The Overdrive is very expressive. as you turn the volume up, it gets louder but doesn't really change the sound. The drive knob has plenty of functionality. It sort of caps out the grit around 12 o'clock but the rest of the pot really shapes the tone. I kept mine pretty low and really dug the tones. The tone Knob has a wide spectrum but the treble end of it is pretty unusable and the bass and is not very bassy. I set it pretty low and it was a very clear and defined tone. You're not going to get any bass-ey tones out of it but it definitely thickens up your sound... As for the treble, you can crank it all the way over and it's going to sound like a chicken' picken' players dream, but to the rest of us it's going to sound very harsh. I run a Walrus audio mayflower on my main board and I AB'd them together. You're obviously going to see a noticeable difference in quality between the two in an isolated environment but I think most of the differences would be lost when you got it up to gig volumes. Overall, Great pedal, Can't believe how much value you get for the price.

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  • By CraigC

    March 12, 2017

    I bought this based on price first and then reviews. This was intended for playing around at home and not professional use. I usually read through the 3 star reviews and just tally the 5 star and 1 stars because the 2-4 stars stand a better chance of being honest (in my opinion). Anyway, for the price there wasn't much chance of becoming enraged should it turn out to be junk. After ordering the JF-08 I saw another unit that looked promising as well so I went back and did a closer scrutiny of the reviews to determine if I should try to cancel the order and order the other unit. On this closer scrutiny I noticed that almost none of the reviews for the JF-08 were applicable to the JF-08. They were for compressors, distortion, reverb...everything except a Delay (which is what I am writing about!). What the heck is that all about? I was getting torqued just because of that, but I realized I must share the blame for not reading close enough to see that. Anyway, the unit arrived the next day . I unpacked it, plugged it in and it worked great. I was a bit concerned at the lack of a Mix control because I was looking for some subtle slapback, not a rambling echo.echo.echo... As it turns out, the Level control is not really a gain compensation but it actually controls the wet/dry mix so that made me happy too. As far as induced noise, I didn't notice any at all, and I used a 9V transformer instead of batteries. Yay again. I was able to dial in the exact effect I was looking for so what's not to like. For the price, this was a winner for me.

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