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beyogen auf 421 Kundenbewertungen
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December 24, 2017
This pedal is awesome! I play my guitar through a PA system, and my sound was definitely missing something.this totally does exactly what it says it does, it gives you a full range of Marshall tones.a lot of other reviewers seemed annoyed with the voice control, but I think it's awesome and really lets you sweep through the spectrum of different Marshall amp sounds. what I like the most about this pedal is that you are able to add a generous amount of Drive before the signal starts to actually distort, which is awesome for using it as a preamp . I picked up the joyo overdrive pedal to put in front of this one, and use it as an overdrive channel, to great success! this panel looks awesome and is built like a tank, and the on board Eq lets you completely shape your sound. I have to give this product four stars however, because like mentioned in other reviews, the unit is very noisy. for the money and the tone though, I don't regret this purchase at all and recommend it to anyone looking to use it similarly to how I do.please note that this is an amp simulator, not a dedicated distortion pedal. this is my third pedal from this manufacturer, and I have been nothing but pleased! Joyo is known for shamelessly cloning other gear, but that's okay! I will continue 2 purchase Joyo products in the future :-)
By Gross Grove
December 7, 2017
I really like this pedal. I'd say a good starting point for a nice overdrive sound is everything set to 12 oclock. The voice knob is quite useful--turn it up a bit for leads or for a more mid-rangey sound. I dial it back for rhythm playing. Personal preference. With my single coil pickups the box is noisy enough that I've considered betting a noise gate. Noise isn't that noticable when I'm playing. I use this with a Blackstar amp that has a crappy distortion channel. I set it to the clean channel and let the ACtone determine the overall tone. I have found that it sounds similar to the Vox settings on my Fender Mustang II, which is a little too small for gigging. Points off for noise, but excellent sound, especially if you prefer grit over fuzz.
December 5, 2017
I bought this pedal a while back, maybe a couple of months... I waited to write a review about it because i didnt want to leave some hyped up garbage and have it fail miserably after a short while... Im happy to say that after a few months im still very impressed with this pedal. The hp lp switch makes it very versatile and it doesn't lose the bottom end the way my other overdrive pedals do(Boss Blues Driver, and BBE Green Screamer). It keeps the bass frequencies right where they should be and just overdrives your signal in a sweet way... Im not ususally a person to write reviews but this pedal inspired me to do so. The one thing i will say about the pedal thats a little different for me, is the volume is very high to start with... i keep mine about half and half on the volume and gain... It has a lot more headroom but im not really up for blowing people away with my mind melting solos. Overall the build quality is really impressive. I looked at the Fulltone OCD and compared the idea of spending another hundred bucks for it but ultimately decided to pass. If your in the market for a cheap pedal that performs and you aren't overly concerned with a "Brand Namer" Then this is probably the pedal for You... Im very happy with mine.
December 1, 2017
I'm very happy with this pedal. I mainly bought it to use directly into the PA system at band rehearsals. It sounds very good going directly into the PA. It can get a little noisy when the gain and voice are turned up all the way, but this isn't any different from an amp with the gain turned up high. I really like the sound of this pedal. It's feels like a pre-amp in a pedal. The EQ knobs make a huge difference in the sound of the pedal. It's easy to dial in great sounds with the level/voice/gain knobs. The sound through our PA is very good. It sounds even better through the clean channel of my practice amp (Bugera V22). I put this at the end of my pedal chain and it seems to play very nicely with my other pedals: Blues Driver, Joyo Chorus, Joyo Delay, Cry Baby. It's very easy to get a Hendrix sound with this pedal and the Cry Baby :) I'm surprised by the quality of the pedal build. It has a very sturdy metal enclosure that seems very solid. The knobs all rotate easily but have a little resistance so they aren't accidentally changed. I like to Velcro my pedals to my board but this pedal has a rubber back. The Velcro tape doesn't stick to the rubber very well. It will hold for a while, but any time the pedal is removed from the board, the Velcro peals off the pedal.
By Claire R. Winter
October 20, 2017
As far as sound quality and delay capability, the D-Seed is very good: quiet, clean, and the feedback options make it very flexible. The negative I have is fairly universal to most digital products: operation can be confusing due to too few buttons and/or LEDs. I had to dive into the owner's manual to interpret the program options as indicated by the single LED. Having one LED try to convey different modes is just plain confusing and unnecessary since another LED or two would add literally pennies to the manufacturing cost. And I would know, as a co-founder of an audio electronics manufacturing corporation. Give us an extra pushbutton and/or LED to take the frustrating ambiguity out of operating a product!! I'd pay many dollars extra to have a digital product easier to use and obvious in its mode status.
By Patrick A. Foster
September 28, 2017
I bought this Compressor on a budget, hoping to give a better dynamic 'feel' to my playing. I was 'hoping' for a nearly endless sustain effect, as i had gotten with compressors in the past. The first setting i tried was with the level control about half, the attack control low, and the sustain nearly all the way up. It did NOT produce the 'tube-like' compression i was 'expecting.' i played around with several scales and chord shapes and i could definitely 'feel' something was different. it didn't seem to, at first, noticeably do MUCH though, until i switched it off and compared it to the 'clean' sound. as soon as the pedal was turned off the sound was very thin, as if muffled somehow. i checked all my cables, amp settings, (turned the master up a bit) and everything was fine. Playing with the clean sound a few moments made me realize just how thin my old telecaster's tone really is, and how much this compressor 'fattens' every note played, a much more 'THERE' dynamic feel, (How else to describe a guitar effect xD) it does add SOME sustain, though it wasn't the endless sustain i expected.
By Ryan P. Long
September 16, 2017
I needed something to take my rock amplifier into metal territory. The first thing I tried was an MXR Prime Distortion, but it didn't have enough oomph. The next thing I tried was the MXR Fullbore Metal, and that was good, but I felt like it took complete control of my tone. I lost the sound of my amp. It was also had a high end that was difficult to tame. So I thought I'd try an OD pedal instead. I don't dig Tube Screamers, and all the reviews said this was an OCD clone. I don't actually know - I've never played an OCD pedal. Too rich for my blood. I tried this one because it was cheap and true bypass. Well, the tone is perfect. Combined with my amp's tone, it's enough to push my tone from hard rock into metal, but without losing the core elements of my tone that are so important to me. I don't use it for solos or boosting or any of that. I use it strictly to thicken up my rhythm tone for my heaviest songs. It's perfect for that. In fact, I'm surprised that an overdrive pedal - one that sounds pretty "overdrivey" when the amp is clean - has the capability of taking me into metal territory. But this does the trick. Saved me from having to get a new amplifier. Truth be told, it is a little noisier than I expected. It is probably less noisy when the amp's gain is lower, so I'll assume most of the noise is due to my own rig's settings. I can live with the noise. When the whole band is playing, you don't notice it. Overall, just a great overdrive. Not too trebly, not too gainy, not thin. Worth twice what I paid for it. Well done, Joyo.
By David Gambill
August 28, 2017
This pedal works well when recording directly to GarageBand. I have used GarageBand's amps in the past and currently record the tradiyway with amps and microphones. What I like about this pedal is that it's better at using pedals in front of it such as wah and distortion. I found that when I used my wah or distortion direct input into GarageBand's amps. It doesn't sound exactly the same as a microphone and amp but is much easier to set up. I haven a VOX AC4 but I think this is modeled after a AC30 sound. I've played an AC15 and I think this pedal can get some of the tone I heard when playing the AC15 and my AC4. Honestly I wasn't too picky about nailing a specific amp sound but this pedal works well and like I said takes pedals in front of it.
By Kell Baker
August 22, 2017
It's not a Maxon or an Ibanez, but for thirty clams, it's probably the best clone out there as far as tone, quality and construction. Solid aluminum housing, nice build quality, and clean interior. Quiet switch. Looks and reacts like true bypass to me. No noise unless the knobs are dimed out and even then it's mostly feedback, which doesn't bother me. If you've ever owned the real deal, you realize right away that this pedal comes pretty close to matching a lot of the same tones of an 808 or a TS9. (Includes the JRC4588 chip that tubes creamers are renowned for.) The drive and volume knobs provide good variation and work together well. The tone knob gets about a 12 o'clock setting and everything to the right of that was way too bright and thin for my liking. This is the point of separation between this well done clone and the real deal. I dropped it on my main pedal board rig between the EQ and distortion pedals... plays real nice with the Pro Co RAT at low distortion levels... jumped between driving blues and AC/DC riffs nicely, which is straight up how I measure a good overdrive. Sounded great through my Blackstar head (clean channel) through Celestion V30s. Put it alone on my modded Ampeg R212R and drove it into pretty sweet blues territory. Gets real dirty if you amp up the drive and volume. Sensitive tone dial is going to take some time to get used to. Bottom line. It's a quality cheap fix for replacing a TS. It doesn't stop me gassing hard for a Maxon OD 808, but it will serve as a great back up and a standalone for my second rig. I'm happy in between tube screamers, let's see how long it lasts.
By tommy rehbein
August 8, 2017
This is a solid economy delay pedal. For $40 you're getting a great deal: It sounds good, comes in a heavy duty enclosure, and is made with higher quality components that other pedals at this price-point. I work for a company that makes boutique effect pedals, so naturally, I have a habit of taking everything apart to see under the hood. I was expecting to find a bunch of crap but was surprised to see metal film resistors (much better than carbon film resistors), good jacks, and a 3PDT true bypass foot switch. Another person made the comment, "there's no way this pedal is true-bypass," because of alleged noise. I can assure you from taking it apart, it is. That other individual may have something else mucking up his/her signal path. Another thing that I like about this pedal is all the components are through-hole instead of surface mounted, so it's very easy to mod. I added a "Slam" switch to mine and did other minor tweaks. So if you're a modder, check this one out. As with any delay, I would recommend running the pedal off a power supply because delays and chip-based pedals (chorus, loopers, etc) tend to eat batteries like a hungry Pac-Man. In fact, I would recommend using an isolated power supply (Voodoo labs, etc) because daisy chaining will give you noisy and sometimes unstable results depending on how much other stuff you're running off the chain. I only stated that because that is usually the noise culprit people complain about, not the pedal itself. Totally a good enough pedal to use on your board, but 100% a fantastic back-up to keep in your backpack in case something goes awry, or if you don't want to fly with your expensive gear (we all know how terrifying that can be). Bravo.
By Alan Florence
July 13, 2017
If you want a decent tremolo, I can't think of any real reason not to buy this one. The price is good, it nails the "Gimme Shelter" type quaver, and can be applied to either subtly changes your guitar sound or that makes it sound like your are under water. Because tremolo pedals tend to be one-trick ponies as far as pedals go, I can't really see how spending 100 dollars or more can make a huge difference. I put this pedal in the effects loop of my Egnater Rebel 20, behind a TC Hall of Fame Reverb. I haven't noticed any significant signal boost there (as mentioned in some reviews). I run a simple pedal line up: Vox 845 Wah into a Joyo Vintage Overdrive (a really good Tube Screamer clone) into the amp with this Tremolo and the Reverb in the loop. I play mainly blues based rock/classic rock/blues/and the like. This pedal fit my needs perfectly, from "Gimme Shelter" to "Howlin' For You" I get the tremolo I need. This is a more attractive pedal than some of the other Joyos. It looks better than my Vintage Overdrive (again, great pedal). Only the real tone snobs would point to how cheap these are in a negative way. They definitely don't sound cheap, and I've had no issues with Joyo pedals in the past. They seem both sturdy and reliable. I do recommend that anybody who depends on pedals get a one-spot or similar power supply to solve the battery issue.
June 30, 2017
Nice, durable casing. The only issue I had with the pedal is that the plastic knobs are a bit sticky, and seems like they'll probably strip soon....but the metal posts in the knobs are fine. Nice fuzzy tone. It seems to be true bypass, which is a plus. May just be buffered, but it doesn't suck tone. The standard fuzz sound is a bit shrill to my ears, but with a little eq'ing of the tone knob you can make it work. The octave option is kind of an afterthought. If you are buying this because of the octave option, my advice is don't do it. It really makes little to no sonic difference to me, just adds a little fizzy metallic ring sound, like a dim ring mod, and really only cuts through on single notes or power chords, which is true of a lot of octave fuzz pedals. In my opinion, this pedal excells with the mid-cut engaged. It gives you that nice, fat, fuzzy sound that is great for big, fuzzy walls of sound when ran through some reverb, while leaving those mid tones open for lead guitars, vox, etc. It also is a warmer, fuller tone with the mid-cut on. Some people would disagree 100% with this, and tell you the mid cut sucks and the standard sound is fine. I suppose it depends on your sound and what you are going for. I bought this pedal for MBV/JAMC Shoegaze fuzz/wall of sound and it does the job. I only use fuzz on a couple of my songs, so I didn't want to spend more than I needed. All is in all, this pedal does what it is supposed to and does it well, and the price is right. I would suggest trying one out on your own prior to buying, but if you just can't wait then give it a whirl. I got mine for about $40 and it's well worth it.
June 22, 2017
I wanted to experiment with one of these, read lots of reviews and settled on this one mostly due to price, and the fact that I've had good luck so far with Joyo pedals. If I was going to use this effect a lot, I might have gone with a more expensive pedal, but right now, I'm glad I didn't. The octave effect is strong if used properly; I am setting (Fuzz) it at 8 o'clock, using the neck pickup, and accepting the fact that any of these only have a strong effect on certain parts of the neck (around the 10th to 15th fret, listen to Blue on Black; he's playing it there). The fuzz is a little too over the top for my tastes, but I think all of this type effect has something similar. I wish you could turn on the octave with a little less (or no) fuzz; the fuzz button has to be on for the octave to work (I think they all work that way though). That's why I'm giving it a 4, along with the fact that it is a big pedal. Construction seems fine, bypass seems to work. Overall, a good buy for the money, fun to goof around with, and something I will probably use twice in a night.
By Arthur Digby Sellers
June 9, 2017
Mine had the same drop some have mentioned...and if there is enough room on the 10k trimmer I could see how an increase could be a problem on some too...try adjusting the 10k trimmer to compensate (NOT THE 20K trimmer...that is used to bias the optoisolator!)...if you cant get enough sweep on the trimmer, swap the internal 10k trimmer out with a 100k trimmer and set it to unity gain...you can also mount the replacement trimmer so you can access it by removing the bottom plate...SUPER easy mod that makes this a completely passable cheap copy of the F*****e Supa-Trem ;) you can also add a hard/soft switch with a little work.... Also worth noting that the amount of volume/boost changes with the intensity control...less intensity, less volume drop...I found that using a dB meter on my phone was the quickest way to set this...dial the Intensity control into a range you are likely to use the most and set it for that. Just ordered a backup. As cheap as it is even 2 are cheaper than buying what it was copied from....the jacks are super cheap as is the switch and the wiring is not so hot, but for the price you cant really beat it...
By John Kasinecz
April 23, 2017
When opening the box I pulled the pedal out it well exceeded the quality I expected from a 35 dollar pedal. The knobs turn well, the casing is heavy, It just felt good. The switch is definitely cheap. you can hear an audible click when it turns on but replacing the switch isn't a huge deal and since it's just a lighter overdrive, you likely aren't going to be turning it on and off. Now, The plugged in details... The Overdrive is very expressive. as you turn the volume up, it gets louder but doesn't really change the sound. The drive knob has plenty of functionality. It sort of caps out the grit around 12 o'clock but the rest of the pot really shapes the tone. I kept mine pretty low and really dug the tones. The tone Knob has a wide spectrum but the treble end of it is pretty unusable and the bass and is not very bassy. I set it pretty low and it was a very clear and defined tone. You're not going to get any bass-ey tones out of it but it definitely thickens up your sound... As for the treble, you can crank it all the way over and it's going to sound like a chicken' picken' players dream, but to the rest of us it's going to sound very harsh. I run a Walrus audio mayflower on my main board and I AB'd them together. You're obviously going to see a noticeable difference in quality between the two in an isolated environment but I think most of the differences would be lost when you got it up to gig volumes. Overall, Great pedal, Can't believe how much value you get for the price.
By From Detroit
April 16, 2017
I needed a phaser, and saw that the Joyo Vintage Phaser was rated well, and super cheap, so I bought it. I was EXTREMELY impressed with it, and did some further research into their pedals. This was one of their top-rated pedals, so I figured I'd give it a go. I have to say that I am fairy impressed! I get a wide range of tones coming out of this little box - anything from a light fuzz to a vintage-style high gain. You won't get a modern metal crunch from it, so if that's what you're looking for, look elsewhere. If you want a nice distortion to replicate stuff from the 70's and 80's, then this is a great bet. This pedal is currently plugged in, and I suspect that I'll keep it as part of my rig (unless I happen to get rich and find a nicer, boutique pedal, or get around to modding my other pedals.) As a reference: I own several Boss distortion/over drive pedals (Japanese DS-1, SD-1, OD-3 and MT-2.) I The Joyo JF-02 and OD-3 are the two drive pedals that I have hooked up, since they are by far the best sounding and most versatile drive pedals that I currently own. A side-note for the tone-freaks: The peddle does seem to be a bit muddy. It's great for jamming out power chords, but not so articulate when you're arpeggiating chords. (Still noticeable when you back off the gain on the pedal but crank the volume on the amp.)
April 10, 2017
I'm not a professional musician by any stretch of the term, but I do know quality when I play it. I picked up the Joyo comp pedal just to try out...it's price is low enough to try out just for he heck of it...I thought a 2nd comp pedal might be handy. As a comparison to this pedal, my other comp pedal is '74 Dyna Comp...'73 pots, from the first run of their production. The Joyo isn't better or worse, but it's just as useful and provides a very smooth tone. Owning them I can tell the difference, but I doubt anyone elsem could if I A/B'd them for them. The Joyo is slightly quieter than the Dyna Comp, if you've never used a compression pedal...you will hear some noise, it's just the way they work. I play a 57AVRI Strat w/ Fender CS 54 pups and a 62AVRI Strat with stock pups thru a Hot Rod Deluxe. I'm VERY impressed with the Joyo comp pedal. Now here's the downside. Sound wise this is to my ears a 5 star product, build wise it's a 3 star. These pedals are not as well made as the other pedals I own, it's not build like a tank. I had also bought the Joyo Sweet Baby OD pedal, and it didn't work. Thankfully Amazon's return policy is great. Don't expect a top tier make, but the pedal's sound is great. If you're looking for a pedal to play around with, it's worth it. If you're on a budget or are new to playing this pedal is a good buy. My first comp pedal was a BOSS CS-3 and it was an awful sounding pedal compared to the Joyo.
By Rock Morton
April 6, 2017
The Joyo High Gain Distortion is based on the Boss Heavy Metal circuit. The main difference is this pedal only has one clipping stage opposed to the three clipping section in the Boss pedal. The resulting sound is less compression and more head room. In my opinion this pedal is good at two sounds; fuzz (crank the gain, highs and mids) and overdrive (crank the volume, treble and add a little bit of gain). In general I find it's more versatile but less aggressive than the original. I'm happy with purchase. UPDATE- according to freestompboxes.org this is actually based on the Marshall Shredmaster. I did some research when I noticed that the Boss tone controls are for bass and mids and the Joyo's controls are mids and highs. Anyway, this is becoming one of my favorite pedals it's perfect for old school punk and metal, it sounds real amp like.
By Film and music buff
September 10, 2016
The reason this is only getting 4 stars and not 5 is due to an issue I only discovered yesterday - yes - almost one year after I purchased it. plugged it in and played with it. Loved it. Around 12 o'clock position just worked for me. Yes - that early EVH sound is there but playing around also gets you Gilmour and Hendrix as well. Sounds great with distortion, or without. But a word about distortion - I place it in front of my amp and after distortion pedals. If I place it before distortion it is more subtle and when placed in front of amp, and with the amps overdrive channel on, it is very subtle. I point this out because of some reviews and comments about this being far too subtle of a pedal and it really isn't - and if you open it up there is a small "sweep" knob you can access and adjust - people have reported finding it set too low. I would suspect opening it would void your warranty - but it is an super easy tweak if you think your pedal is not working correctly. Now onto the issue I found - in trying to reduce overall noise I discovered, by process of elimination, the pedal causing a lot of buzz is the JF-06. So I removed it from my chain and put in the battery - and guess what? Does not work. When the battery is in and pedal off the signal passes through but when I kick on the pedal it outputs buzz and nothing else. Hard to think I never used this with a battery before yesterday. So I suspect this buzz is some sort of miswired/faulty connection having to do with the internal 9 volt battery clip. I did do a look over inside, looking for anything obvious such as loose solder. Nothing jumped out at me. So for now living with it, but because I love this so much I will get another - although technically this is still under the one year warranty I really do not want to pack it up and send off to China for a replacement. But if any of the official US JOYO distributors reading this would send me out a new one that would work too.
July 5, 2016
I don't know if it lives up to all the hype and mystical powers of the all-mighty vintage tube screamers of Ibanez, but it is an exact clone including the same component values, potentiometers, ICs (JRC), etc. For proof that it is exactly the same, I was able to modify it for different frequency response (corner frequency), and add asymmetrical clipping with the exact same components in exactly the same spot in the circuit as seen in TS9 mods. Of course the board is layed out a little differently. The only reason I gave it 4 (really 4.5) stars was because it does produce some noticeable noise (hiss) at higher gains, but this is expected given the boosting stage acts like a high pass filter (this gives it the characteristic mid-range boost). It can be cut with the tone control, but it also may have been due to a poorly shielded amplifier, and or a one-spot power adapter.
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