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Basado en 457 Reseñas de clientes
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By Monitoring Czar
December 20, 2017
I've had the Joyo JF-09 tremolo pedal for a few months and have sufficient time on it to provide a fair review. I'd give it 3.9 out of 5 stars. Pros: Simple, cheap, good battery life. Cons: Not quite as intense as a tremolo should be. A good, strong tremolo should penetrate much deeper than this one, to the point where your ears and body really feel it. If you've stood in front of a Fender Twin Reverb with the tremolo cranked you'll get the picture. Or listen to "How Soon Is Now" by the Smiths. I can't that level of thick, throbbing, pulsating sonic thrust that engorges the room from this tremolo. Overall, for the price it's not bad. I'd rather save the money for other effects because tremolo is pretty low on the effects chain. If your not a dedicated tremolo snob, then get this one, but don't expect earthshaking tremolo. There are videos and DIY mods for this unit. If I undertake it I'll post an update.
December 19, 2017
Nice, durable casing. The only issue I had with the pedal is that the plastic knobs are a bit sticky, and seems like they'll probably strip soon....but the metal posts in the knobs are fine. Nice fuzzy tone. It seems to be true bypass, which is a plus. May just be buffered, but it doesn't suck tone. The standard fuzz sound is a bit shrill to my ears, but with a little eq'ing of the tone knob you can make it work. The octave option is kind of an afterthought. If you are buying this because of the octave option, my advice is don't do it. It really makes little to no sonic difference to me, just adds a little fizzy metallic ring sound, like a dim ring mod, and really only cuts through on single notes or power chords, which is true of a lot of octave fuzz pedals. In my opinion, this pedal excells with the mid-cut engaged. It gives you that nice, fat, fuzzy sound that is great for big, fuzzy walls of sound when ran through some reverb, while leaving those mid tones open for lead guitars, vox, etc. It also is a warmer, fuller tone with the mid-cut on. Some people would disagree 100% with this, and tell you the mid cut sucks and the standard sound is fine. I suppose it depends on your sound and what you are going for. I bought this pedal for MBV/JAMC Shoegaze fuzz/wall of sound and it does the job. I only use fuzz on a couple of my songs, so I didn't want to spend more than I needed. All is in all, this pedal does what it is supposed to and does it well, and the price is right. I would suggest trying one out on your own prior to buying, but if you just can't wait then give it a whirl. I got mine for about $40 and it's well worth it.
By Brian in AZ
December 16, 2017
I've been playing guitar for about 30 years and have gone through many pedals, guitars and various types of gear. Currently I play a 2007 Les Paul through a THD Flexi-50 and a 2x12 Avatar cab. I've played a number of overdrive pedals in the last few years and I can say without reservation, the Joyo Vintage Overdrive would probably be the "go-to" pedal if I had to choose only one. What strikes me most about this pedal is the smoothness. Many of the "boutique" pedals, like the OCD, are harsh and brittle. This thing is as smooth as silk. It's also perfect if you want to turn the gain down to "zero" and just add a little "hair" to your sound. My only complaint with this pedal is that the tone knob isn't linear in sound. When you get up to the 3-6 o'clock position, it spikes sharply. Other than that, it seems built well enough. I don't currently gig out so I can't say how it would old up on the road. I have it on quality pedalboard and I take care of my gear.
By Michelle A. Puziss
December 15, 2017
This thing sounds amazing- except for one small problem: At higher gain settings it hisses like a mother. I'm not talking about extreme settings, just gain and "character" (thats what Tech 21calls it- forgot what Joyo calls it) at 3 o'clock. It has a beautiful WARM singing lead tone-better than any pedal that I have owned ( and that's probably 20-30 distortion/overdrive pedals) If only it didn't hiss so much it would be my main lead pedal. If you have a Rocktron Hush or other noise gate pedal, it is worth considering. The Joyo is an EXACT clone of the Tech 21British pedal, which costs $189 (?). I don't know it the tech 21 has the same hissing problem or not.
By Kell Baker
December 14, 2017
It's not a Maxon or an Ibanez, but for thirty clams, it's probably the best clone out there as far as tone, quality and construction. Solid aluminum housing, nice build quality, and clean interior. Quiet switch. Looks and reacts like true bypass to me. No noise unless the knobs are dimed out and even then it's mostly feedback, which doesn't bother me. If you've ever owned the real deal, you realize right away that this pedal comes pretty close to matching a lot of the same tones of an 808 or a TS9. (Includes the JRC4588 chip that tubes creamers are renowned for.) The drive and volume knobs provide good variation and work together well. The tone knob gets about a 12 o'clock setting and everything to the right of that was way too bright and thin for my liking. This is the point of separation between this well done clone and the real deal. I dropped it on my main pedal board rig between the EQ and distortion pedals... plays real nice with the Pro Co RAT at low distortion levels... jumped between driving blues and AC/DC riffs nicely, which is straight up how I measure a good overdrive. Sounded great through my Blackstar head (clean channel) through Celestion V30s. Put it alone on my modded Ampeg R212R and drove it into pretty sweet blues territory. Gets real dirty if you amp up the drive and volume. Sensitive tone dial is going to take some time to get used to. Bottom line. It's a quality cheap fix for replacing a TS. It doesn't stop me gassing hard for a Maxon OD 808, but it will serve as a great back up and a standalone for my second rig. I'm happy in between tube screamers, let's see how long it lasts.
By Chris R
December 12, 2017
This pedal I find pretty darn good. I use it with gain at 12 o clock or less. It really cuts through the mix for me. It can go from mild to bombastic, and that was nice for my new board build that is only sporting two od/dist pedals. I like setting it for crunch rhythm than drive it with my joyo vintage overdrive pedal for soloing. Those two pedals works nicely together. Simple, tough design, good tone, great price! Time will tell how it lasts? Buy it through the Amazon vendor cheaperpedals.com. They test before shipping which is nice! Most the time their price is cheaper at Amazon than their own site. I've called them for questions, got a human and some good advice as well. Don't get them shipped from China, too long and you don't really save more than 2-5 bucks. I love all my joyos, biyangs and donners. Got a moen shaky jimi gen. 3 on the way, that one was a whopping 63 bucks, lol ,the gem of my board hopefully! I currently have 6 joyos, 2 biyangs, 1 donnor and a moen on the way. Yes I support the no tone snobbery way, but firmly support good tone!
By Ryan P. Long
December 8, 2017
I needed something to take my rock amplifier into metal territory. The first thing I tried was an MXR Prime Distortion, but it didn't have enough oomph. The next thing I tried was the MXR Fullbore Metal, and that was good, but I felt like it took complete control of my tone. I lost the sound of my amp. It was also had a high end that was difficult to tame. So I thought I'd try an OD pedal instead. I don't dig Tube Screamers, and all the reviews said this was an OCD clone. I don't actually know - I've never played an OCD pedal. Too rich for my blood. I tried this one because it was cheap and true bypass. Well, the tone is perfect. Combined with my amp's tone, it's enough to push my tone from hard rock into metal, but without losing the core elements of my tone that are so important to me. I don't use it for solos or boosting or any of that. I use it strictly to thicken up my rhythm tone for my heaviest songs. It's perfect for that. In fact, I'm surprised that an overdrive pedal - one that sounds pretty "overdrivey" when the amp is clean - has the capability of taking me into metal territory. But this does the trick. Saved me from having to get a new amplifier. Truth be told, it is a little noisier than I expected. It is probably less noisy when the amp's gain is lower, so I'll assume most of the noise is due to my own rig's settings. I can live with the noise. When the whole band is playing, you don't notice it. Overall, just a great overdrive. Not too trebly, not too gainy, not thin. Worth twice what I paid for it. Well done, Joyo.
By Gabriel R. Barteck
December 6, 2017
I have tried many Joyo pedals and they all seem to be amazing values for any level of player. I think this does a good job of the metal distortion tone, especially with the mid tone knob for scooping mids just to the degree you want. I tend not to overdo the ultra heavy scoop tone, but you can. It also can behave at lower gain values like a more traditional distortion. It would never be my only dirt pedal, but it is perfect for the heaviest songs in my playlist. One gripe though is that it is not true bypass as stated in the Tomtop long description. (This becomes obvious if you experiment and try to play through it "off" without any pedal power... no signal at all...which means that this pedal is never completely out of the circuit when "off" as true bypass implies). Many Joyo pedals are true bypass. Then I noticed that Joyo may be hinting at this with the pedal graphics... if you look it actually says "bypass" and not "true bypass" like several of their other pedals. (For example, I verified the vintage overdrive and crunch distortion are true bypass and they say this next to the button, but the ultimate drive is not, and it just say says "bypass" like this pedal.) Anyway, it is not a deal breaker for a decent pedal (many great pedals are not true bypass), but you should be aware they are not the same. Joyo button labeling may be more telling of the bypass wiring than the description if this is important to you.
November 25, 2017
I have an OCD in my large pedalboard that I use for gigs. It's next in line after the switcher, wireless, volume pedal and tuner, and goes before nine other pedals. In that setup, I primarly use it as a clean boost, sometimes dialing up a little attitude. I purchased the Joyo for half the price of a second OCD because I heard it was a clone and I needed one for my small rig that goes to jams and rehearsals. It is a clone, and in side by side comparisons, it's hard to tell the difference. I would say the OCD is smoother and does a better job as a clean boost, while the Joyo gets into the dirt a little quicker and is more agressive. Both are great for running into a second overdrive pedal. On the gig board, that's OCD to Soul Food. On my little jamming and pracitce board, it's Joyo to a Bad Monkey (another great low-cost pedal). So, while the OCD provides a better, more neutral clean boost and gentle overdrive, the Joyo is great choice to save money. And if I were to take one pedal to a blues jam, I'd probably take the Joyo, because I like it's distortion personality a little more than the OCD.
November 21, 2017
I've probably got too many distortions, overdrives and dirtboxes. Right now, I've got my trusty MXR script Logo, a BOSS OS-2, a Boss FZ-5, a home-made distortion based on the shredmaster, and now, this little number. I got this one because i heard the hype about it, and about the OCD that it supposedly rips off, and well, yes, it's a really good distortion pedal. It does have some overdrive character, but it's got more of the hard clipping distortion. A TS9, this is not. In that respect, it's definitely able to do the "Marshall in a box' thing that people like. But, by bringing the gain down, setting it on the high switch, and bringing the level knob past noon, it's a really solid Boost pedal. By bringing up the gain ( and bringing down the level) you can get some really saturated distortion- but it does get a bit fizzy on the really high gain settings. I've only had it a few hours, so I've not yet dialed in the settings I'll stick with, but they are definitely there. It can get a bit boomy with a neck humbucking pick up, but, on the bridge humbucker, and on the neck with a single coil, it pretty much instantly goes for a great mid range voiced distortion. It's worth the 30 or so dollars, at least.
By Arthur Digby Sellers
November 14, 2017
Mine had the same drop some have mentioned...and if there is enough room on the 10k trimmer I could see how an increase could be a problem on some too...try adjusting the 10k trimmer to compensate (NOT THE 20K trimmer...that is used to bias the optoisolator!)...if you cant get enough sweep on the trimmer, swap the internal 10k trimmer out with a 100k trimmer and set it to unity gain...you can also mount the replacement trimmer so you can access it by removing the bottom plate...SUPER easy mod that makes this a completely passable cheap copy of the F*****e Supa-Trem ;) you can also add a hard/soft switch with a little work.... Also worth noting that the amount of volume/boost changes with the intensity control...less intensity, less volume drop...I found that using a dB meter on my phone was the quickest way to set this...dial the Intensity control into a range you are likely to use the most and set it for that. Just ordered a backup. As cheap as it is even 2 are cheaper than buying what it was copied from....the jacks are super cheap as is the switch and the wiring is not so hot, but for the price you cant really beat it...
By Jake Smith
October 21, 2017
Guys, this is a really good sounding pedal. It has enough highs-lows-mids to make you smile. The sound is similar to pedals costing much more. Of course, everything is based on taste and the kind of music you play. This is not a super scooped metal pedal. It's best for strong overdrives and smooth grudge sounds. The big factor about this pedal compared to more expensive pedals is that it doesn't like HEAT. I had a gig in Detroit on a metal stage with a 100 degree PLUS day. The pedal didn't like it at all. My BOSS Blues driver was just fine. Of course the Blues Driver is a $100 pedal. It took the temps just fine. So, that is, in my opinion, the big difference between what you get with JOYO vs other, more expensive, pedals. Keep in mind, if you are not playing in 100 degree temperatures you have nothing to fear. So, rock on and enjoy your music!!
October 20, 2017
This is a very good, usable pedal. Not the most brilliant and not the most characteristic compressors out there, but I like how subtle and noiseless this unit is. Really it does not color or bias the tone, it does not impose anything on the signal except for adding a little sustain and compression. The attack knob is very subtle, I wasn't even sure that it was working when I first tested the unit with a single coil guitar. Then I plugged in a humbucker axe and the effect of the attack knob became clearly audible. There is an extra pot on the hard to access side of the circuit inside that controls the attack, once can drill a hole on the front panel to get easier access to it - I have not tried it yet, but I will. All in all, this is a keeper and I can recommend if you want subtle organic compression. If you want heavy, tone coloring compression, go for the red box (dyna comp).
October 19, 2017
I don't use all that many pedals, and the ones I do use are fairly proven/reliable standards for the most part: ISP Decimator II Boss Chorus Ensemble Morley Vai 2 Wah Boss DD-3 Delay and or Boss DD-7 Delay (each on different settings rather than changing one back and forth) Hardwire reverb Tuner pedal And for occasional use some other thing might jump in for a project, a flanger or whatever. Now while I can get by with what's on my amp, I wanted to re-add an OD to the board. I've had decent enough results with TubeScreamers, Blues Driver & Super OD sin the past and could use any of those for my purposes and make it work, but for what this cost I figured I'd take a shot based on reviews. I have a Joyo Tremolo set aside as one of my sometimes pedal and like that well enough. To get down to it I think this is a fine-sounding pedal. It's definitely a vintage OD style as advertised, used as a boost in front to push the signal with some drive. I know we guitar folks tend to split hairs about every piece of gear but I would say this is as good as the other options I mentioned. I do like the Boss-Hardwire-ISP style footswitch mechanism better but other than that there's no reason a good player couldn't go to work with this one, assuming everything else is straight on the guitar and amp ends of the chain. The shop had a few other Joyos I tried out that I didn't care for. I thought this and the red-and-black OD were great, and I mentioned the tremolo, but not so much luck with their modulation effects. Unfortunately they were trying to get 50 bucks for them and I saw this first.
October 19, 2017
Thank goodness for internet reviews which steered me towards trying this pedal. For the price I don't think anything out there can beat it. Has a very good range of distortion from alternative crunch to metal insanity. The high/low switch is a nice touch although I'm hard pressed to find a reason to take it off of "high". The build quality seems very solid. I only use the pedal to mess around with at home and in my project studio so I can't attest to it's road worthiness but it seems like it would hold up quite well. My only complaint is that I did run into the radio interference problem some other have spoken of. I live about 15 miles from a primary radio hub in the area and at different times of the day (can't figure that one out) I've picked up a slight, but noticeable, signal from one of the stations. Normally a problem like that would knock it down at least two stars but it's such a good sounding pedal, at such a great price, I can live with a faint hint of Taylor Swift coming through my amp on occasion. Highly recommended.
October 12, 2017
I like this pedal enough to keep around. I don't really need a distortion right now since I have a two-channel amp (Egnater Rebel 30), but this sounds nice. It's similar sound to my amp's distortion but with a bit different EQ, which is a good thing as I like tube distortion not gainy grit. I try to run my power tubes hot (generally the EL84s on the Rebel) and just put a bit more breakup on top (if I want something different I throw on the fuzz). I never push the gain past noon as it gets plenty distorted by that point, and I prefer a little less gain nowadays (my death-metaller former self would never believe I'm saying this). When you do go higher than noon, it does get hissy. Below that it's adding noise of a different character than my amps gain channel, but no more or worse noise. Seems well made, but the hiss could be rather annoying for someone looking for high gain sounds. If I want high-gain sounds I'll break out the Mesa.
October 11, 2017
Very good pedal - While I don't believe it sounds exactly like a "Marshall" it has some of that character and it IS a GOOD sounding pedal - I use it for live performances along with a compressor and few effect pedals (rev, dely, mod) and it works really well. I don't like the heavy drive settings at all and it can get noisy at higher gain and/or with VOICE control (as you turn it clock wise) - I like it for adding charcater/punch to my live rig - the tone controls allow you to make quick changes just as if you had an amp and I can now just plug into a board and use monitors instead of lugging my amps. I also have the "American" model for which my review is identical to this one. They are BOTH very good pedals and great tone shaping tools. Great unit overall.
By P.R. Greywich
October 5, 2017
I'm a bassist... I can play guitar, keyboards, a handful of other instruments too, but I'm mostly a bassist. Low notes tend to sound kinda questionable bumping into each other, so I'm not going to use this often-- especially live. That being said, I like chords ringing out a little longer during chord melody pieces on my 7 string. How often am I asked to do that instead of hitting eighth notes? Not often. So... I didn't want to spend much on a very simple pedal. 30 bucks was great... so I went for it. There's three knobs here. Do you need more? I didn't. The level worked smoothly, the time is a bit inexact (click against muted strings for a quick glimpse of your effect tempo when you have to), and the repeat can give you a wave of static feedback at faster delay times if you need or want it. I needed dotted quarter notes, mostly, with the level about three-quarters up, repeat count low... works like a charm. Two complaints. The 9V battery that came with the pedal died within twenty minutes of putting it in. I figured this would happen, though. I could disregard that and only complain once here, sure... except that: The battery compartment is quite tight. So tight in fact that I have a little bite taken out of my right hand's middle knuckle from wiggling the battery out. I might be bitter about the personal injury, but I'm deducting a star for that-- and warning the next potential buyer. If all of Joyo's pedals have this cramped a battery space, I would be aware but not really wary of it. Just something to consider... or get a power supply. I won't be using the pedal that often, but it is superb at the simple task it does.
September 28, 2017
I love this pedal. It is clean and clear. I've not noticed any hiss or distortion from this peal being in my effects chain. This is most certainly not the worlds number 1 digital delay, but for the price it can't be beat. Though this does not have a port for an expression pedal, the Joyo digital delay is great for adding some delay to any mix. Personal I use this along side my tcelectronic flashback and use it to add some ambiance. I would like to have seen a expression port for adding the option to have tap tempo, though this would raise the price. When toggling the pedal on and off, there is an evident click (the same as all other Joyo pedals). This makes it easy to feel (and hear) when the pedal has been toggled. Its personal preference but I prefer smooth non-clicking switches like those found in tcelectronics pedals. All in all, I am very satisfied and would recommend this pedal to anyone looking for a budget friendly digital delay.
By John Kasinecz
September 24, 2017
When opening the box I pulled the pedal out it well exceeded the quality I expected from a 35 dollar pedal. The knobs turn well, the casing is heavy, It just felt good. The switch is definitely cheap. you can hear an audible click when it turns on but replacing the switch isn't a huge deal and since it's just a lighter overdrive, you likely aren't going to be turning it on and off. Now, The plugged in details... The Overdrive is very expressive. as you turn the volume up, it gets louder but doesn't really change the sound. The drive knob has plenty of functionality. It sort of caps out the grit around 12 o'clock but the rest of the pot really shapes the tone. I kept mine pretty low and really dug the tones. The tone Knob has a wide spectrum but the treble end of it is pretty unusable and the bass and is not very bassy. I set it pretty low and it was a very clear and defined tone. You're not going to get any bass-ey tones out of it but it definitely thickens up your sound... As for the treble, you can crank it all the way over and it's going to sound like a chicken' picken' players dream, but to the rest of us it's going to sound very harsh. I run a Walrus audio mayflower on my main board and I AB'd them together. You're obviously going to see a noticeable difference in quality between the two in an isolated environment but I think most of the differences would be lost when you got it up to gig volumes. Overall, Great pedal, Can't believe how much value you get for the price.
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