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By Gabriel R. Barteck
January 24, 2018
I have tried many Joyo pedals and they all seem to be amazing values for any level of player. I think this does a good job of the metal distortion tone, especially with the mid tone knob for scooping mids just to the degree you want. I tend not to overdo the ultra heavy scoop tone, but you can. It also can behave at lower gain values like a more traditional distortion. It would never be my only dirt pedal, but it is perfect for the heaviest songs in my playlist. (This becomes obvious if you experiment and try to play through it "off" without any pedal power... no signal at all...which means that this pedal is never completely out of the circuit when "off" as true bypass implies). Many Joyo pedals are true bypass. Then I noticed that Joyo may be hinting at this with the pedal graphics... if you look it actually says "bypass" and not "true bypass" like several of their other pedals. (For example, I verified the vintage overdrive and crunch distortion are true bypass and they say this next to the button, but the ultimate drive is not, and it just say says "bypass" like this pedal.) Anyway, it is not a deal breaker for a decent pedal (many great pedals are not true bypass), but you should be aware they are not the same. Joyo button labeling may be more telling of the bypass wiring than the description if this is important to you.
By Aaron Ashley
December 22, 2017
I have played guitar for 20+ years. Used to play live weekly, but currently 10-12 times a year. Until recently I used a Live 6 POD HD 300 for club gigs for ease of switching between tones and plugging directly into a PA , but recently it developed a problem and I've decided to go another direction. I've decided to go back to floor stomps, but I don't want to break the bank on boutique pedals that are going to get some abuse on a stage. I have quite a few random pedals, but needed a phaser. The amp used is a Bogner Alchemist with a variety of guitars. I grabbed this because of the price point and the positive experience with another Joyo pedal, the Ultimate Drive. Is it an MXR Phase 90? No, but it isn't bad either. It's a fairly subtle phase and you can turn the knob quite a bit without a massive change in tone or sound. If you are looking for a phaser that dramatically changes your tone this may not be the one, but I'm actually quite pleased with it since I like my effects to be fairly plug and play and a subtler phase was what I was looking for. It does get close to the early EVH brown sound phase, but isn't quite as thick. Works well with other pedals, but not the quietest pedal when engaged which is to be expected with a phaser. Doesn't seem to overly suck tone or volume when bypassed as part of a chain. I can't speak to the durability yet since I have only had it for a week. The other Joyo product I have has worked fine for three months. The battery leads seem flimsy and I don't think any Joyo pedals would survive long term abuse and serious neglect, but I think this one would be just fine for causal live playing and bedroom use. The one I received didn't have the horse graphic, but is orange. Overall my two experiences with Joyo pedals have so far been positive. You might not impress tone purists with any Joyo pedals but value seeking guitarists will appreciate them and 99% of people listening to you won't notice any difference. If I needed a chorus or delay I would consider other Joyo pedals, but right now this pedal finishes my board.
December 13, 2017
I bought this pedal to use with my acoustic for live shows in order to even out the dynamics, ie avoid large jumps in volume and slightly boost quieter moments. For that it works perfectly. I have a few other compressor pedals and this one sounds different from the others, it's much more subtle. If you want to get a squished chicken-pickin' sound, this probably won't do it for you. Even on max settings this does not give that kind of sound. But I'm OK with that. I like how it sounds and to my ear it's entirely transparent. I don't notice any change in my acoustic guitar's tone. So yeah, this thing is awesome. I'm only giving 4 stars because I'm interested to see how the thing holds up. Most likely culprits would be the switch or the jacks. We'll see.
December 9, 2017
I bought this pedal for fourteen smackers and that included prime two day shipping on a special that tomtop had. I sanded it and took off the demon picture and repainted it. I still don't understand the devil thing and hard rock music. What makes people want things that represent evil? Anyway, it is a decent pedal. It is very much a distortion pedal not an overdrive. Even at the lowest setting it is mildly distorted. There is NO clean sound from this pedal. It can't be used as a clean boost. At about 8 o'clock on the gain knob you will notice a fairly quick jump from "not much" to "noticeable" distortion. It is not real gradual as you might think. The tone knob can give you shrill treble when dimed out and at about 12 oclock it becomes very muddy. It can cause some serious feedback when turned up, and that can be fun.....or not. Next to my Klon it sounds very compressed and therefore can get lost in the mix. Having said all that, it's not bad for the money. I would not have it on my board as a standard, but for the occasional Hendrix song it can scream.
By KING KUEL~RJW
November 28, 2017
Was a little skeptical about purchasing this pedal, reading all the reviews it really sounded like a great pedal for the money tho... I had to buy a number of pedals to complete my pedal board: EQ, Patch chords for 8 pedals, Compressor (2- bought 1 comp for my guitar player buddy also)and Bought the Fuzz Moo (which I returned cus it was noisy). To my surprise Tomtop didnt send me my purchased compressors (2), instead sent 1 compressor/1 Ultimate Overdrive by mistake! Well i was gunna return it with the fuzz, (annoyed i didnt get my compressor) but after hearing it, I kept it. Its options, sound, and quality was a nice surprise. I still have to get a compressor, but if your on the fence about this and need or cld have a 2nd distortion/OD (this is a great smooth to aggressive quality distortion, '70s to Mod distortions) get this for the money its a home run period. Ive been playing for yrs,
By Patrick Richards
November 21, 2017
Bear in mind thay I am a lo fi, blues/funk rock player who loves distorted tones. Now: Is this a boutique fuzz, made by hand in America? No. Does it have a ton of great fuzz tones that you'll have a blast tweaking and messing with? Yes. Built like a tank and capable of everything from just a pinch of fuzz to full on fuzzageddon, the JF-12 has a huge range of musical, usable tones. The octave up effect, like most, doesn't track perfectly and definitely works better with single note riffs and leads than with chords. Engaging the mid cut switch kicks in fat , creamy sustain for days. I am very happy with this steal of a pedal, it made an immediate impact on my playing and songwriting. Definitely worth a listen for the money. Four stars because nothing is perfect.
By W. K Ward
November 13, 2017
I've had enough pedals to pay off my home. I love hard rockin crunchy guitar tones. This pedal delivers a good solid crunch. I have a recording studio so I AB'd it against a few other non tube pedals I have at stage volume. Running into an isolated miked amp /cab set up it did well but not as well as my Tech 21 GT2, my Seymour Duncan Power Grid or my Digitech Hardwire TL-2! These three pedals just sounded better. The JF-03 had a bit of muddiness in the midrange and didn't have the amp like sag that my better pedals have. I recommend using an eq with this pedal to clean up the mids. I have never owned a MI crunch box so I don't know how well it replicates it's sound. You do get what you pay for and there are better pedals out there for not a whole lot more but the JF-03 is hard to beat for the money. Cheers!
November 11, 2017
I bought this pedal a while back, maybe a couple of months... I waited to write a review about it because i didnt want to leave some hyped up garbage and have it fail miserably after a short while... Im happy to say that after a few months im still very impressed with this pedal. The hp lp switch makes it very versatile and it doesn't lose the bottom end the way my other overdrive pedals do(Boss Blues Driver, and BBE Green Screamer). It keeps the bass frequencies right where they should be and just overdrives your signal in a sweet way... Im not ususally a person to write reviews but this pedal inspired me to do so. The one thing i will say about the pedal thats a little different for me, is the volume is very high to start with... i keep mine about half and half on the volume and gain... It has a lot more headroom but im not really up for blowing people away with my mind melting solos. Overall the build quality is really impressive. I looked at the Fulltone OCD and compared the idea of spending another hundred bucks for it but ultimately decided to pass. If your in the market for a cheap pedal that performs and you aren't overly concerned with a "Brand Namer" Then this is probably the pedal for You... Im very happy with mine.
October 25, 2017
First off, I have heard and played an OCD pedal, but never owned one. I bought this pedal instead, after hearing of its unique Marshall amp big mid to low darkness. I play a fender HRD with an matching extension, and have used this pedal with a Tele Thinline, A Gibson LP and an Epiphone 335 pro. This is not a subtle overdrive pedal. this is huge and dark and big and will color your sound and beef up the bottom end. The build and controls are good, and the high end/low end switch is dramatically different in tone, but make no mistake- this is a distortion pedal- for big, 90's style wicked bottom end. It's not super versatile, and is the furthest thing from a transparent overdrive- but if that's what you want, you cannot go wrong. ***Remember- this is a mid range to low end booster. You want to use this with a scooped amp with a lot of head room, the same way you would use a tube screamer(except for the extreme distortion)- so if you play a Fender style amp great, if you play a Marshall style mid-hump amp, be aware, its overkill mid boost wise- it might not sound terrific.
By Kell Baker
October 21, 2017
It's not a Maxon or an Ibanez, but for thirty clams, it's probably the best clone out there as far as tone, quality and construction. Solid aluminum housing, nice build quality, and clean interior. Quiet switch. Looks and reacts like true bypass to me. No noise unless the knobs are dimed out and even then it's mostly feedback, which doesn't bother me. If you've ever owned the real deal, you realize right away that this pedal comes pretty close to matching a lot of the same tones of an 808 or a TS9. (Includes the JRC4588 chip that tubes creamers are renowned for.) The drive and volume knobs provide good variation and work together well. The tone knob gets about a 12 o'clock setting and everything to the right of that was way too bright and thin for my liking. This is the point of separation between this well done clone and the real deal. I dropped it on my main pedal board rig between the EQ and distortion pedals... plays real nice with the Pro Co RAT at low distortion levels... jumped between driving blues and AC/DC riffs nicely, which is straight up how I measure a good overdrive. Sounded great through my Blackstar head (clean channel) through Celestion V30s. Put it alone on my modded Ampeg R212R and drove it into pretty sweet blues territory. Gets real dirty if you amp up the drive and volume. Sensitive tone dial is going to take some time to get used to. Bottom line. It's a quality cheap fix for replacing a TS. It doesn't stop me gassing hard for a Maxon OD 808, but it will serve as a great back up and a standalone for my second rig. I'm happy in between tube screamers, let's see how long it lasts.
By Brian in AZ
October 18, 2017
I've been playing guitar for about 30 years and have gone through many pedals, guitars and various types of gear. Currently I play a 2007 Les Paul through a THD Flexi-50 and a 2x12 Avatar cab. I've played a number of overdrive pedals in the last few years and I can say without reservation, the Joyo Vintage Overdrive would probably be the "go-to" pedal if I had to choose only one. What strikes me most about this pedal is the smoothness. Many of the "boutique" pedals, like the OCD, are harsh and brittle. This thing is as smooth as silk. It's also perfect if you want to turn the gain down to "zero" and just add a little "hair" to your sound. My only complaint with this pedal is that the tone knob isn't linear in sound. When you get up to the 3-6 o'clock position, it spikes sharply. Other than that, it seems built well enough. I don't currently gig out so I can't say how it would old up on the road. I have it on quality pedalboard and I take care of my gear.
By Gross Grove
October 13, 2017
I really like this pedal. I'd say a good starting point for a nice overdrive sound is everything set to 12 oclock. The voice knob is quite useful--turn it up a bit for leads or for a more mid-rangey sound. I dial it back for rhythm playing. Personal preference. With my single coil pickups the box is noisy enough that I've considered betting a noise gate. Noise isn't that noticable when I'm playing. I use this with a Blackstar amp that has a crappy distortion channel. I set it to the clean channel and let the ACtone determine the overall tone. I have found that it sounds similar to the Vox settings on my Fender Mustang II, which is a little too small for gigging. Points off for noise, but excellent sound, especially if you prefer grit over fuzz.
October 12, 2017
It's a good OD pedal. I set it up with OD at zero and level at 9. The boost certainly did an excellent job of pushing my amp into some thick overdrive. It doesn't take much from the OD knob to get the breakup you want. Using it past 6 or 7 would suit some, but it gets a little fuzzy for anything I'll need. Pushing the level knob up to 9 did create some noise when the pedal was engaged, but it was less than I expected. Bringing it back down to 6 negated much of that anyway. Pulling back on the level to 6 and increasing the OD to 3 seems like the right spot...for me. It gives me just enough boost and added overdrive to get the hard rock that I like. Of course, we all want something different, and your settings will be different. But the pedal has a wide enough range in each knob that you should be able to get what you want. It's not a distortion pedal, but it does get pretty aggressive. Not sure how it will sound as a standalone gain tool for a solid state amp, but it certainly does an excellent job of driving tubes. The paint job...that's my one dislike. Not that it matters to me all that much, but I think it can affect expectations of people considering it. It LOOKS like a heavy distortion pedal. But it's not. As for hints...I've seen a review from three years ago where the switch wasn't activating, and the red light was staying on. I bought mine "used" through Amazon. When I got it, it was doing the same thing. Maybe it's the same pedal, but I doubt it. All that needed to be done was to tighten the nut on the switch. It was a little loose and was allowing the switch to sag into the pedal. Tightened it up and all was well. As for other complaints about definition and clarity in chords...I can't speak for them, and they may have different ears than mine. For me, everything sounded very clear and defined. It's always possible that tweaking settings between the guitar, amp and pedal can make some difference there. It's also possible that this pedal is being compared to a considerably higher end option. I don't know other than to say that all situations are different. Bottom line is that there seems to be widespread love for this pedal, and the price point is amazing. I'd take this easily over the Boss Super Overdrive, Bad Monkey, Screamin' Blues and many others in its price range. To be honest, for me personally and what I like to hear...ill take it over a TubeScreamer too.
By Nathan Christie
October 4, 2017
I normally don't write reviews, but I like this pedal. I does not sound exactly like a Marshall, but we all know that the only way to accomplish that is to buy a Marshall. I have never used the Tech 21 British pedal that this is a clone of so I can not say how close it comes to that, but I won't be dropping $170.00 anytime soon to find out either. I bought this to run on a VHT Special 6, which is a single ended tube amp. I am running Mullard re-issue 12ax7's and a NOS RCA 6V6GT. With that set up this pedal does a pretty good Marshall tone. Gets even closer if I swap the 6v6 for a EL84. In fact, it does the best $35 worth of Marshall tone I have ever bought for $35. The settings are very close to the Tech 21 setting guide, at least to my ear. I can get a fairly decent vintage Plexi out of it. The true bypass is also clean, unlike other clone "true bypass" pedals I have tried that were not actually true bypass and sucked the tube tone right out of my amp. It's not a high gain pedal, more of a boost and voicing/foundation pedal. I liked it better than my tube screamer clone as a boost so I don't even use that pedal now. It works good in my effects loop too which is actually touchy on that amp. The EQ is nice if you have a small tube amp that has a fixed tone stack like mine. This pedal also does not take away from tube amp responsiveness to touch and attack like my tube screamer clone does. It does get noisy like other reviewers have stated, especially when you start to crank the voice knob past 12:00 or dime the drive.That's why I only gave this pedal 4 stars. Otherwise, for value for the money I would have gave it a five. I'm impressed at what Joyo put into this for the price, and I will try their other pedals in the future now.
By P.R. Greywich
October 2, 2017
I'm a bassist... I can play guitar, keyboards, a handful of other instruments too, but I'm mostly a bassist. Low notes tend to sound kinda questionable bumping into each other, so I'm not going to use this often-- especially live. That being said, I like chords ringing out a little longer during chord melody pieces on my 7 string. How often am I asked to do that instead of hitting eighth notes? Not often. So... I didn't want to spend much on a very simple pedal. 30 bucks was great... so I went for it. There's three knobs here. Do you need more? I didn't. The level worked smoothly, the time is a bit inexact (click against muted strings for a quick glimpse of your effect tempo when you have to), and the repeat can give you a wave of static feedback at faster delay times if you need or want it. I needed dotted quarter notes, mostly, with the level about three-quarters up, repeat count low... works like a charm. Two complaints. The 9V battery that came with the pedal died within twenty minutes of putting it in. I figured this would happen, though. I could disregard that and only complain once here, sure... except that: The battery compartment is quite tight. So tight in fact that I have a little bite taken out of my right hand's middle knuckle from wiggling the battery out. I might be bitter about the personal injury, but I'm deducting a star for that-- and warning the next potential buyer. If all of Joyo's pedals have this cramped a battery space, I would be aware but not really wary of it. Just something to consider... or get a power supply. I won't be using the pedal that often, but it is superb at the simple task it does.
September 9, 2017
I have an OCD in my large pedalboard that I use for gigs. It's next in line after the switcher, wireless, volume pedal and tuner, and goes before nine other pedals. In that setup, I primarly use it as a clean boost, sometimes dialing up a little attitude. I purchased the Joyo for half the price of a second OCD because I heard it was a clone and I needed one for my small rig that goes to jams and rehearsals. It is a clone, and in side by side comparisons, it's hard to tell the difference. I would say the OCD is smoother and does a better job as a clean boost, while the Joyo gets into the dirt a little quicker and is more agressive. Both are great for running into a second overdrive pedal. On the gig board, that's OCD to Soul Food. On my little jamming and pracitce board, it's Joyo to a Bad Monkey (another great low-cost pedal). So, while the OCD provides a better, more neutral clean boost and gentle overdrive, the Joyo is great choice to save money. And if I were to take one pedal to a blues jam, I'd probably take the Joyo, because I like it's distortion personality a little more than the OCD.
August 24, 2017
I bought this based on price first and then reviews. This was intended for playing around at home and not professional use. I usually read through the 3 star reviews and just tally the 5 star and 1 stars because the 2-4 stars stand a better chance of being honest (in my opinion). Anyway, for the price there wasn't much chance of becoming enraged should it turn out to be junk. After ordering the JF-08 I saw another unit that looked promising as well so I went back and did a closer scrutiny of the reviews to determine if I should try to cancel the order and order the other unit. On this closer scrutiny I noticed that almost none of the reviews for the JF-08 were applicable to the JF-08. They were for compressors, distortion, reverb...everything except a Delay (which is what I am writing about!). What the heck is that all about? I was getting torqued just because of that, but I realized I must share the blame for not reading close enough to see that. Anyway, the unit arrived the next day (with Amazon Prime 2 day...yay Amazon! Love you guys!). I unpacked it, plugged it in and it worked great. I was a bit concerned at the lack of a Mix control because I was looking for some subtle slapback, not a rambling echo.echo.echo... As it turns out, the Level control is not really a gain compensation but it actually controls the wet/dry mix so that made me happy too. As far as induced noise, I didn't notice any at all, and I used a 9V transformer instead of batteries. Yay again. I was able to dial in the exact effect I was looking for so what's not to like. For the price, this was a winner for me.
July 7, 2017
Pretty cool knock-off of the Schaller trem or Diaz Tremodillo. This is my 2nd or 3rd Joyo pedal, and my favorite thus far. I don't care for the cheap jacks, but you get what you pay for, and I can always replace them if they break (I work on pedals all the time). I've got a scratchbuilt improved EA Trem (with two footswitchable speeds) and a cheap little Danelectro Tuna Melt. Other than the crummy bypass and plastic construction, the Tuna Melt is my favorite since it has the hard/soft switch. The improved EA has a great preamp for guaranteed unity gain (or more), and the footswitchable speeds that I added gives it extra flexibility. But I think the Joyo trumps it by just a little bit in that the core trem sound is a nice blend of the Tuna Melt's hard and soft settings. So part of this is really a subjective take on this flavor of trem, but suffice it to say if you've tried a few, this one will probably satisfy you at least a bit. No unity gain issues, and the speed and depth have a good sweep throughout their ranges. And it's just a niggle, but how hard would it be to get the word "tremolo" silkscreened so that it's centered on the box? At least there's no skull and flames like on the High Gain Distortion.
May 10, 2017
This is as much a reply to the guy who wants to hear from people who have had this for more than a week as it is a review for prospective buyers. I've used it for 8 months with no issues at all. It sounds great, it works perfectly and it was $40. As for quality control, I have several Joyo pedals, and I can say they all work perfectly and sound awesome. I've never used a Phase 90, so the "clone" factor was a moot point when I purchased the Joyo Vintage Phaser. It works, it's simple to use and I had money left over to buy more gear. I've been playing for 29 years and I highly recommend Joyo pedals. If you don't like it, get a refund. It's not rocket surgery.
By Film and music buff
May 9, 2017
The reason this is only getting 4 stars and not 5 is due to an issue I only discovered yesterday - yes - almost one year after I purchased it. Going back to October, 2014 - plugged it in and played with it. Loved it. Around 12 o'clock position just worked for me. Yes - that early EVH sound is there but playing around also gets you Gilmour and Hendrix as well. Sounds great with distortion, or without. But a word about distortion - I place it in front of my amp and after distortion pedals. If I place it before distortion it is more subtle and when placed in front of amp, and with the amps overdrive channel on, it is very subtle. I point this out because of some reviews and comments about this being far too subtle of a pedal and it really isn't - and if you open it up there is a small "sweep" knob you can access and adjust - people have reported finding it set too low. I would suspect opening it would void your warranty - but it is an super easy tweak if you think your pedal is not working correctly. Now onto the issue I found - in trying to reduce overall noise I discovered, by process of elimination, the pedal causing a lot of buzz is the JF-06. So I removed it from my chain and put in the battery - and guess what? Does not work. When the battery is in and pedal off the signal passes through but when I kick on the pedal it outputs buzz and nothing else. Hard to think I never used this with a battery before yesterday. So I suspect this buzz is some sort of miswired/faulty connection having to do with the internal 9 volt battery clip. I did do a look over inside, looking for anything obvious such as loose solder. Nothing jumped out at me. So for now living with it, but because I love this so much I will get another - although technically this is still under the one year warranty I really do not want to pack it up and send off to China for a replacement. But if any of the official US JOYO distributors reading this would send me out a new one that would work too.
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