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By Raymond J. Gentry
December 30, 2017
I bought this to replace the Boss compression pedal I had. I don't do a lot of metal and wanted a pedal that would tighten the sound weather I was using my electric or acoustic and the Boss just made too much noise. I really like this pedal and run my acoustic through it pretty often. It helps to bring a little more sustain through even when using my feedback buster and if I really get at it while I'm playing it adds a little crunch and sharpens the acoustic sound. It also works great with when I'm playing electric and evens the sound across my other effects combinations. Best of all, there's no extra noise when it's sustaining or when I'm playing lightly. It's a great pedal and I'm very happy with it!
December 27, 2017
For the money spent, this pedal is nice. I will start by saying, however, that is is not a total digital delay. In a digital delay, there is no decay of notes played- it keeps repeating perfect copies of the note played. With analogue, there is more decay with each repeat (a copy of a copy of a copy, etc). Analogue delay is great and the pedal sounds good, but as a matter of technicality the title is a bit of a misnomer. The construction is solid and I have no complaints about durability. It is (as advertised) true bypass and does not color your tone. The sound is good- other than the fact that it is actually analogue it sounds good. It is reasonably versatile and can get a decent range of delay tones. Maybe not ideal for the 800MM "Edge" sounds, but it can give anything from slap-back to Floyd-esque sounds. the pedal is good on it's own, but I feel it works best stacked with other pedals on your board for extra delay, ambiance or texture. Not amazing, but a very good, usable pedal at an affordable price.
By Lo-fi guy
December 18, 2017
I have been looking for a reliable distortion for a while, and as many players know-it's hard to find the right tone for your particular style of music. I have the boss OS-2 and the EHX little big muff. The OS-2 is ok for overdrive, but turn up the other settings and it just loses all innotatation on notes. The muff is thin sounding and suffers from rotten volume drops when activated. This pedal is clear and punchy, without sounding too saturated. I would definitely buy more Joyo pedals in the future if this one is an indication of the quality to expect.
By The Existential Christian
December 17, 2017
I bought this pedal recently after seeing the reviews here, and others elsewhere. I've been looking for a pedal to replace my much loved, but unreliable TubeWorks Real Tube. I've tried quite a few pedals in this price range, and above, including a Cool Cat Distortion, a modified DS-1, modded TS-9, and a Visual Sound Jekyl and Hyde. All of these listed failed to approach the crunchiness and squishy mids of the Real Tube. This pedal, however comes the closest. The mids are a little more pronounced than I would like, but it's within the range of what I can easily dial out with my amp's EQ. There's tons of gain on tap; I've read several reviews stating otherwise, and I cannot agree with them. Into a mostly clean amp, I have the gain set to roughly 10 o'clock, and I have enough gain to play Van Halen and the like. Above 12 o'clock, the gain gets kinda mushy. There is plenty of volume on tap. Unity is around 9 o'clock, 11-12 o'clock provides a nice boost. Above that it will overdrive your amp's preamp pretty hard. The pedal cleans up when I roll the volume back, and it is a very defined distortion. There's plenty of clarity here (and I have not yet messed with the internal trim pot). So far I am very happy with it.
December 11, 2017
I like this pedal enough to keep around. I don't really need a distortion right now since I have a two-channel amp (Egnater Rebel 30), but this sounds nice. It's similar sound to my amp's distortion but with a bit different EQ, which is a good thing as I like tube distortion not gainy grit. I try to run my power tubes hot (generally the EL84s on the Rebel) and just put a bit more breakup on top (if I want something different I throw on the fuzz). I never push the gain past noon as it gets plenty distorted by that point, and I prefer a little less gain nowadays (my death-metaller former self would never believe I'm saying this). When you do go higher than noon, it does get hissy. Below that it's adding noise of a different character than my amps gain channel, but no more or worse noise. Seems well made, but the hiss could be rather annoying for someone looking for high gain sounds. If I want high-gain sounds I'll break out the Mesa.
By Jake Smith
December 9, 2017
Guys, this is a really good sounding pedal. It has enough highs-lows-mids to make you smile. The sound is similar to pedals costing much more. Of course, everything is based on taste and the kind of music you play. This is not a super scooped metal pedal. It's best for strong overdrives and smooth grudge sounds. The big factor about this pedal compared to more expensive pedals is that it doesn't like HEAT. I had a gig in Detroit on a metal stage with a 100 degree PLUS day. The pedal didn't like it at all. My BOSS Blues driver was just fine. Of course the Blues Driver is a $100 pedal. It took the temps just fine. So, that is, in my opinion, the big difference between what you get with JOYO vs other, more expensive, pedals. Keep in mind, if you are not playing in 100 degree temperatures you have nothing to fear. So, rock on and enjoy your music!!
By Nathan Christie
November 30, 2017
I normally don't write reviews, but I like this pedal. I does not sound exactly like a Marshall, but we all know that the only way to accomplish that is to buy a Marshall. I have never used the Tech 21 British pedal that this is a clone of so I can not say how close it comes to that, but I won't be dropping $170.00 anytime soon to find out either. I bought this to run on a VHT Special 6, which is a single ended tube amp. I am running Mullard re-issue 12ax7's and a NOS RCA 6V6GT. With that set up this pedal does a pretty good Marshall tone. Gets even closer if I swap the 6v6 for a EL84. In fact, it does the best $35 worth of Marshall tone I have ever bought for $35. The settings are very close to the Tech 21 setting guide, at least to my ear. I can get a fairly decent vintage Plexi out of it. The true bypass is also clean, unlike other clone "true bypass" pedals I have tried that were not actually true bypass and sucked the tube tone right out of my amp. It's not a high gain pedal, more of a boost and voicing/foundation pedal. I liked it better than my tube screamer clone as a boost so I don't even use that pedal now. It works good in my effects loop too which is actually touchy on that amp. The EQ is nice if you have a small tube amp that has a fixed tone stack like mine. This pedal also does not take away from tube amp responsiveness to touch and attack like my tube screamer clone does. It does get noisy like other reviewers have stated, especially when you start to crank the voice knob past 12:00 or dime the drive.That's why I only gave this pedal 4 stars. Otherwise, for value for the money I would have gave it a five. I'm impressed at what Joyo put into this for the price, and I will try their other pedals in the future now.
November 29, 2017
I've probably got too many distortions, overdrives and dirtboxes. Right now, I've got my trusty MXR script Logo, a BOSS OS-2, a Boss FZ-5, a home-made distortion based on the shredmaster, and now, this little number. I got this one because i heard the hype about it, and about the OCD that it supposedly rips off, and well, yes, it's a really good distortion pedal. It does have some overdrive character, but it's got more of the hard clipping distortion. A TS9, this is not. In that respect, it's definitely able to do the "Marshall in a box' thing that people like. But, by bringing the gain down, setting it on the high switch, and bringing the level knob past noon, it's a really solid Boost pedal. By bringing up the gain ( and bringing down the level) you can get some really saturated distortion- but it does get a bit fizzy on the really high gain settings. I've only had it a few hours, so I've not yet dialed in the settings I'll stick with, but they are definitely there. It can get a bit boomy with a neck humbucking pick up, but, on the bridge humbucker, and on the neck with a single coil, it pretty much instantly goes for a great mid range voiced distortion. It's worth the 30 or so dollars, at least.
By Patrick A. Foster
September 28, 2017
I bought this Compressor on a budget, hoping to give a better dynamic 'feel' to my playing. I was 'hoping' for a nearly endless sustain effect, as i had gotten with compressors in the past. The first setting i tried was with the level control about half, the attack control low, and the sustain nearly all the way up. It did NOT produce the 'tube-like' compression i was 'expecting.' i played around with several scales and chord shapes and i could definitely 'feel' something was different. it didn't seem to, at first, noticeably do MUCH though, until i switched it off and compared it to the 'clean' sound. as soon as the pedal was turned off the sound was very thin, as if muffled somehow. i checked all my cables, amp settings, (turned the master up a bit) and everything was fine. Playing with the clean sound a few moments made me realize just how thin my old telecaster's tone really is, and how much this compressor 'fattens' every note played, a much more 'THERE' dynamic feel, (How else to describe a guitar effect xD) it does add SOME sustain, though it wasn't the endless sustain i expected.
September 15, 2017
I have an OCD in my large pedalboard that I use for gigs. It's next in line after the switcher, wireless, volume pedal and tuner, and goes before nine other pedals. In that setup, I primarly use it as a clean boost, sometimes dialing up a little attitude. I purchased the Joyo for half the price of a second OCD because I heard it was a clone and I needed one for my small rig that goes to jams and rehearsals. It is a clone, and in side by side comparisons, it's hard to tell the difference. I would say the OCD is smoother and does a better job as a clean boost, while the Joyo gets into the dirt a little quicker and is more agressive. Both are great for running into a second overdrive pedal. On the gig board, that's OCD to Soul Food. On my little jamming and pracitce board, it's Joyo to a Bad Monkey (another great low-cost pedal). So, while the OCD provides a better, more neutral clean boost and gentle overdrive, the Joyo is great choice to save money. And if I were to take one pedal to a blues jam, I'd probably take the Joyo, because I like it's distortion personality a little more than the OCD.
August 14, 2017
This compressor does the job simply, but I will definitely upgrade to something with more squish & not as subtle as this Joyo Compressor. I would like a compressor with a bit more range & compression on hand as well as a blend function. The Joyo is very subtle with not much discernible difference in sounds on hand. Click it on, twist the knobs and there it is. The level knob adds a pleasing gain boost that I may keep the pedal for as a dedicated boost. The compression is pleasing, but seems too subtle for me. I have sustain max, attack max & level approx 9:00. If I twiddle the attack to zero the difference is barely noticeable, but still pleasing. I guess I would like MORE please. All in all, I like the pedal & will keep it, but am planning for a more substantial compressor pedal in the future.
By Bob P.
July 17, 2017
When I first fired this pedal up and started turning the knobs I hated it. Then I found the presence pot inside and also started using some unconventional settings. Most distortion pedals I own sound best with their volume knobs past 2 'clock, tone around noon and distortion 3' oclock. Not this one folks. At least not for me. The magic really happened for me when I dialed the presence pot back a little bit, turned the tone knob all the way up, volume around 9'oclock and gain way down around 7'oclock and MAGIC!! Excellent AC/DC type rhythm sounds (but it does have it's own thing too kind of) and outstanding lead tones when engaging the gain channel on my amp. Bump the volume on the pedal up a little if you want a volume boost for leads but make sure to compensate with the clean channel amp volume. I paid under 30 dollars for this pedal brand new and it's better than some of my pedals costing double or more. My only gripe with it is the audible "pop" it makes when engaging it but I am keeping my rating at 4 stars because it's going to be an "always on" pedal for me. So if you buy this pedal be sure to take the back cover off and adjust the presence pot to your liking. Me I liked it dialed back some, you may like it turned up some. As I said at first I thought this pedal sucked until I started to dial it in with some unusual settings. now it's going to be a mainstay on my board and will be my main rhythm crunch. I'm even going to buy another one as a backup. Great job on this one Joyo!!
By Alan Florence
July 13, 2017
If you want a decent tremolo, I can't think of any real reason not to buy this one. The price is good, it nails the "Gimme Shelter" type quaver, and can be applied to either subtly changes your guitar sound or that makes it sound like your are under water. Because tremolo pedals tend to be one-trick ponies as far as pedals go, I can't really see how spending 100 dollars or more can make a huge difference. I put this pedal in the effects loop of my Egnater Rebel 20, behind a TC Hall of Fame Reverb. I haven't noticed any significant signal boost there (as mentioned in some reviews). I run a simple pedal line up: Vox 845 Wah into a Joyo Vintage Overdrive (a really good Tube Screamer clone) into the amp with this Tremolo and the Reverb in the loop. I play mainly blues based rock/classic rock/blues/and the like. This pedal fit my needs perfectly, from "Gimme Shelter" to "Howlin' For You" I get the tremolo I need. This is a more attractive pedal than some of the other Joyos. It looks better than my Vintage Overdrive (again, great pedal). Only the real tone snobs would point to how cheap these are in a negative way. They definitely don't sound cheap, and I've had no issues with Joyo pedals in the past. They seem both sturdy and reliable. I do recommend that anybody who depends on pedals get a one-spot or similar power supply to solve the battery issue.
By P.R. Greywich
April 20, 2017
I'm a bassist... I can play guitar, keyboards, a handful of other instruments too, but I'm mostly a bassist. Low notes tend to sound kinda questionable bumping into each other, so I'm not going to use this often-- especially live. That being said, I like chords ringing out a little longer during chord melody pieces on my 7 string. How often am I asked to do that instead of hitting eighth notes? Not often. So... I didn't want to spend much on a very simple pedal. 30 bucks was great... so I went for it. There's three knobs here. Do you need more? I didn't. The level worked smoothly, the time is a bit inexact (click against muted strings for a quick glimpse of your effect tempo when you have to), and the repeat can give you a wave of static feedback at faster delay times if you need or want it. I needed dotted quarter notes, mostly, with the level about three-quarters up, repeat count low... works like a charm. Two complaints. The 9V battery that came with the pedal died within twenty minutes of putting it in. I figured this would happen, though. I could disregard that and only complain once here, sure... except that: The battery compartment is quite tight. So tight in fact that I have a little bite taken out of my right hand's middle knuckle from wiggling the battery out. I might be bitter about the personal injury, but I'm deducting a star for that-- and warning the next potential buyer. If all of Joyo's pedals have this cramped a battery space, I would be aware but not really wary of it. Just something to consider... or get a power supply. I won't be using the pedal that often, but it is superb at the simple task it does.
March 12, 2017
I bought this based on price first and then reviews. This was intended for playing around at home and not professional use. I usually read through the 3 star reviews and just tally the 5 star and 1 stars because the 2-4 stars stand a better chance of being honest (in my opinion). Anyway, for the price there wasn't much chance of becoming enraged should it turn out to be junk. After ordering the JF-08 I saw another unit that looked promising as well so I went back and did a closer scrutiny of the reviews to determine if I should try to cancel the order and order the other unit. On this closer scrutiny I noticed that almost none of the reviews for the JF-08 were applicable to the JF-08. They were for compressors, distortion, reverb...everything except a Delay (which is what I am writing about!). What the heck is that all about? I was getting torqued just because of that, but I realized I must share the blame for not reading close enough to see that. Anyway, the unit arrived the next day . I unpacked it, plugged it in and it worked great. I was a bit concerned at the lack of a Mix control because I was looking for some subtle slapback, not a rambling echo.echo.echo... As it turns out, the Level control is not really a gain compensation but it actually controls the wet/dry mix so that made me happy too. As far as induced noise, I didn't notice any at all, and I used a 9V transformer instead of batteries. Yay again. I was able to dial in the exact effect I was looking for so what's not to like. For the price, this was a winner for me.
By Tammy V.
March 7, 2017
First of all, 4 stars just because the graphics are just stickers. Now don't get me wrong, they are very high quality vinyl, and not dollar-store stickers, but I like the graphics and I'm afraid in the distant future they can peel. But, that doesn't matter anyway. The tone is great, because it is YOUR own tone. It doesn't color it at all. The light that flashes to the tremolo rate comes in handy and is great. You can adjust the rate very precisely. Forget Behringer, these pedals are much sturdier. I'll be ordering more from Joyo!
By Aaron Ashley
March 1, 2016
I have played guitar for 20+ years. Used to play live weekly, but currently 10-12 times a year. Until recently I used a Live 6 POD HD 300 for club gigs for ease of switching between tones and plugging directly into a PA , but recently it developed a problem and I've decided to go another direction. I've decided to go back to floor stomps, but I don't want to break the bank on boutique pedals that are going to get some abuse on a stage. I have quite a few random pedals, but needed a phaser. The amp used is a Bogner Alchemist with a variety of guitars. I grabbed this because of the price point and the positive experience with another Joyo pedal, the Ultimate Drive. Is it an MXR Phase 90? No, but it isn't bad either. It's a fairly subtle phase and you can turn the knob quite a bit without a massive change in tone or sound. If you are looking for a phaser that dramatically changes your tone this may not be the one, but I'm actually quite pleased with it since I like my effects to be fairly plug and play and a subtler phase was what I was looking for. It does get close to the early EVH brown sound phase, but isn't quite as thick. Works well with other pedals, but not the quietest pedal when engaged which is to be expected with a phaser. Doesn't seem to overly suck tone or volume when bypassed as part of a chain. I can't speak to the durability yet since I have only had it for a week. The other Joyo product I have has worked fine for three months. The battery leads seem flimsy and I don't think any Joyo pedals would survive long term abuse and serious neglect, but I think this one would be just fine for causal live playing and bedroom use. The one I received didn't have the horse graphic, but is orange. Overall my two experiences with Joyo pedals have so far been positive. You might not impress tone purists with any Joyo pedals but value seeking guitarists will appreciate them and 99% of people listening to you won't notice any difference. If I needed a chorus or delay I would consider other Joyo pedals, but right now this pedal finishes my board.
June 4, 2015
Let me start off by saying I am an avid fuzz freak, I've owned and played many different fuzz pedals, currently on my board I have a Bass Big Muff, an Earthquaker Hoof, and this pedal. It holds its own against these pedals, which says a lot considering it's price. The octave effect is very subtle, this pedal is very obviously going for a Jimi Hendrix Octavia sound. The fuzz itself is very good, a little less organic sounding than some of the more expensive pedals. The octave effect is really useful for cutting through. The amount of fuzz and the type of tone are very flexible. I would recommend this pedal for anyone looking for a cheap way to get decent fuzz, the octave effect is just an added bonus.
By Gabriel R. Barteck
May 29, 2015
I have tried many Joyo pedals and they all seem to be amazing values for any level of player. I think this does a good job of the metal distortion tone, especially with the mid tone knob for scooping mids just to the degree you want. I tend not to overdo the ultra heavy scoop tone, but you can. It also can behave at lower gain values like a more traditional distortion. It would never be my only dirt pedal, but it is perfect for the heaviest songs in my playlist. One gripe though is that it is not true bypass as stated in the long description. (This becomes obvious if you experiment and try to play through it "off" without any pedal power... no signal at all...which means that this pedal is never completely out of the circuit when "off" as true bypass implies). Many Joyo pedals are true bypass. Then I noticed that Joyo may be hinting at this with the pedal graphics... if you look it actually says "bypass" and not "true bypass" like several of their other pedals. (For example, I verified the vintage overdrive and crunch distortion are true bypass and they say this next to the button, but the ultimate drive is not, and it just say says "bypass" like this pedal.) Anyway, it is not a deal breaker for a decent pedal (many great pedals are not true bypass), but you should be aware they are not the same. Joyo button labeling may be more telling of the bypass wiring than the description if this is important to you.
May 7, 2015
When I tried it out the first time the octave seemed to be intermittent. Noting that this product comes from China the first thing I suspected was cold solder joints. I warmed up the soldering iron and opened 'er up and YES! not only were there cold solder joints but there was a small piece of loose wire shorting components at random. Typical of quality control in the People's Republic of China. A little touch-up with the soldering iron and it's back to normal, whatever that is. I'm a bit disappointed with the octave but I'm keeping it because it's a good fuzz (and I voided the warranty). The Normal/Mid-Cut switch is part of why it's a great fuzz. I think I'll replace the Fuzz control with a pot that provides a wider range before going into supersaturation but the rest of the controls I'll leave alone. Dislikes: quality of Chinese products is a crap shoot. Likes: it's a good, affordable effect
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