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sulla base di 412 Recensioni dei Clienti
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By John Kasinecz
January 30, 2018
When opening the box I pulled the pedal out it well exceeded the quality I expected from a 35 dollar pedal. The knobs turn well, the casing is heavy, It just felt good. The switch is definitely cheap. you can hear an audible click when it turns on but replacing the switch isn't a huge deal and since it's just a lighter overdrive, you likely aren't going to be turning it on and off. Now, The plugged in details... The Overdrive is very expressive. as you turn the volume up, it gets louder but doesn't really change the sound. The drive knob has plenty of functionality. It sort of caps out the grit around 12 o'clock but the rest of the pot really shapes the tone. I kept mine pretty low and really dug the tones. The tone Knob has a wide spectrum but the treble end of it is pretty unusable and the bass and is not very bassy. I set it pretty low and it was a very clear and defined tone. You're not going to get any bass-ey tones out of it but it definitely thickens up your sound... As for the treble, you can crank it all the way over and it's going to sound like a chicken' picken' players dream, but to the rest of us it's going to sound very harsh. I run a Walrus audio mayflower on my main board and I AB'd them together. You're obviously going to see a noticeable difference in quality between the two in an isolated environment but I think most of the differences would be lost when you got it up to gig volumes. Overall, Great pedal, Can't believe how much value you get for the price.
January 17, 2018
First of all I'm grateful for JOYO. They make a great sounding durable pedal for a great price. The pedal has and awesome cranked amp sustain, tone and response. Which makes it exceptional already. But you need to know what you're getting before you buy it. If you're looking for a TS clone then this is a great option, especially because of the price. BUT keep in mind as a TS copy this pedal will take your bottom end out boost the low mids and compress the highs. Alone it doesn't sound like "gold" but in a mix you can truely appreciate why this pedal acts the way it does. Great pedal! Just be informed before you buy so you aren't confused.
By Film and music buff
January 16, 2018
The reason this is only getting 4 stars and not 5 is due to an issue I only discovered yesterday - yes - almost one year after I purchased it. plugged it in and played with it. Loved it. Around 12 o'clock position just worked for me. Yes - that early EVH sound is there but playing around also gets you Gilmour and Hendrix as well. Sounds great with distortion, or without. But a word about distortion - I place it in front of my amp and after distortion pedals. If I place it before distortion it is more subtle and when placed in front of amp, and with the amps overdrive channel on, it is very subtle. I point this out because of some reviews and comments about this being far too subtle of a pedal and it really isn't - and if you open it up there is a small "sweep" knob you can access and adjust - people have reported finding it set too low. I would suspect opening it would void your warranty - but it is an super easy tweak if you think your pedal is not working correctly. Now onto the issue I found - in trying to reduce overall noise I discovered, by process of elimination, the pedal causing a lot of buzz is the JF-06. So I removed it from my chain and put in the battery - and guess what? Does not work. When the battery is in and pedal off the signal passes through but when I kick on the pedal it outputs buzz and nothing else. Hard to think I never used this with a battery before yesterday. So I suspect this buzz is some sort of miswired/faulty connection having to do with the internal 9 volt battery clip. I did do a look over inside, looking for anything obvious such as loose solder. Nothing jumped out at me. So for now living with it, but because I love this so much I will get another - although technically this is still under the one year warranty I really do not want to pack it up and send off to China for a replacement. But if any of the official US JOYO distributors reading this would send me out a new one that would work too.
By Aaron Ashley
January 9, 2018
I have played guitar for 20+ years. Used to play live weekly, but currently 10-12 times a year. Until recently I used a Live 6 POD HD 300 for club gigs for ease of switching between tones and plugging directly into a PA , but recently it developed a problem and I've decided to go another direction. I've decided to go back to floor stomps, but I don't want to break the bank on boutique pedals that are going to get some abuse on a stage. I have quite a few random pedals, but needed a phaser. The amp used is a Bogner Alchemist with a variety of guitars. I grabbed this because of the price point and the positive experience with another Joyo pedal, the Ultimate Drive. Is it an MXR Phase 90? No, but it isn't bad either. It's a fairly subtle phase and you can turn the knob quite a bit without a massive change in tone or sound. If you are looking for a phaser that dramatically changes your tone this may not be the one, but I'm actually quite pleased with it since I like my effects to be fairly plug and play and a subtler phase was what I was looking for. It does get close to the early EVH brown sound phase, but isn't quite as thick. Works well with other pedals, but not the quietest pedal when engaged which is to be expected with a phaser. Doesn't seem to overly suck tone or volume when bypassed as part of a chain. I can't speak to the durability yet since I have only had it for a week. The other Joyo product I have has worked fine for three months. The battery leads seem flimsy and I don't think any Joyo pedals would survive long term abuse and serious neglect, but I think this one would be just fine for causal live playing and bedroom use. The one I received didn't have the horse graphic, but is orange. Overall my two experiences with Joyo pedals have so far been positive. You might not impress tone purists with any Joyo pedals but value seeking guitarists will appreciate them and 99% of people listening to you won't notice any difference. If I needed a chorus or delay I would consider other Joyo pedals, but right now this pedal finishes my board.
January 8, 2018
Gotta admit: For 33 bucks one should never expect much. So for it to have this many features for a fuzz pedal, one should be grateful. Why? Because it has got to have at least one setting for you that is workable. I did the 10uF "reverse polarity" cap mod and the the Octave Up effect is far more pronounced. I probably wouldn't keep it if it weren't for that, but not because it's a crap pedal. It actually sounds quite good. The tone is quite bright and I usually have to set it to around 9 o'clock, but if you do that, there's fuzz (and actually, tone) there in spades. You can get very good results. Supposedly it's copied from one of the Fulltone Fuzzes, which is a copy of the Tone Bender, so there you go. It's a fuzz pedal. It's cheap. It works. And there's pleasant surprises to be had.
By M. Sever
December 22, 2017
Truly great tones if you are going for that Marshall sound. You can use this with an amp, but it is most useful as an amplifier emulator going direct. I was at a music store and A/B'd this against 5 other pedals (each that were over $80 used), and the only one I liked better was the Box of Rock that I ended up picking up. But then I got home and the Box of Rock did not sound as good with my Tele as this one did so now I am regretting getting rid of this. The only problem is that it is NOISY when you crank up the gain (the BOR is definitely quieter). Lots of hiss. So I could only turn the gain up about halfway (with the voice control at about 3:00) to make the noise tolerable but I was still able to get some really good crunchy sounds out of it at that level. And if you want light grit this does that very well too. Took a little tweaking with the Voice control to get it where I wanted it, but was really happy with the result once I got it there. So for the price I don't think you can do much better. I cannot confirm how much of a tone sucker this is as I had two Joyos and had either one of them on all the time so I wouldn't really know the impact on my clean signal.
December 22, 2017
I'm very happy with this pedal. I mainly bought it to use directly into the PA system at band rehearsals. It sounds very good going directly into the PA. It can get a little noisy when the gain and voice are turned up all the way, but this isn't any different from an amp with the gain turned up high. I really like the sound of this pedal. It's feels like a pre-amp in a pedal. The EQ knobs make a huge difference in the sound of the pedal. It's easy to dial in great sounds with the level/voice/gain knobs. The sound through our PA is very good. It sounds even better through the clean channel of my practice amp (Bugera V22). I put this at the end of my pedal chain and it seems to play very nicely with my other pedals: Blues Driver, Joyo Chorus, Joyo Delay, Cry Baby. It's very easy to get a Hendrix sound with this pedal and the Cry Baby :) I'm surprised by the quality of the pedal build. It has a very sturdy metal enclosure that seems very solid. The knobs all rotate easily but have a little resistance so they aren't accidentally changed. I like to Velcro my pedals to my board but this pedal has a rubber back. The Velcro tape doesn't stick to the rubber very well. It will hold for a while, but any time the pedal is removed from the board, the Velcro peals off the pedal.
December 21, 2017
I've probably got too many distortions, overdrives and dirtboxes. Right now, I've got my trusty MXR script Logo, a BOSS OS-2, a Boss FZ-5, a home-made distortion based on the shredmaster, and now, this little number. I got this one because i heard the hype about it, and about the OCD that it supposedly rips off, and well, yes, it's a really good distortion pedal. It does have some overdrive character, but it's got more of the hard clipping distortion. A TS9, this is not. In that respect, it's definitely able to do the "Marshall in a box' thing that people like. But, by bringing the gain down, setting it on the high switch, and bringing the level knob past noon, it's a really solid Boost pedal. By bringing up the gain ( and bringing down the level) you can get some really saturated distortion- but it does get a bit fizzy on the really high gain settings. I've only had it a few hours, so I've not yet dialed in the settings I'll stick with, but they are definitely there. It can get a bit boomy with a neck humbucking pick up, but, on the bridge humbucker, and on the neck with a single coil, it pretty much instantly goes for a great mid range voiced distortion. It's worth the 30 or so dollars, at least.
By Gabriel R. Barteck
December 21, 2017
I have tried many Joyo pedals and they all seem to be amazing values for any level of player. I think this does a good job of the metal distortion tone, especially with the mid tone knob for scooping mids just to the degree you want. I tend not to overdo the ultra heavy scoop tone, but you can. It also can behave at lower gain values like a more traditional distortion. It would never be my only dirt pedal, but it is perfect for the heaviest songs in my playlist. One gripe though is that it is not true bypass as stated in the Tomtop long description. (This becomes obvious if you experiment and try to play through it "off" without any pedal power... no signal at all...which means that this pedal is never completely out of the circuit when "off" as true bypass implies). Many Joyo pedals are true bypass. Then I noticed that Joyo may be hinting at this with the pedal graphics... if you look it actually says "bypass" and not "true bypass" like several of their other pedals. (For example, I verified the vintage overdrive and crunch distortion are true bypass and they say this next to the button, but the ultimate drive is not, and it just say says "bypass" like this pedal.) Anyway, it is not a deal breaker for a decent pedal (many great pedals are not true bypass), but you should be aware they are not the same. Joyo button labeling may be more telling of the bypass wiring than the description if this is important to you.
By J. K. Godard
December 15, 2017
If you're looking for that vintage TS tone, this is a solid buy. This is the second Joyo I've bought (also have the tremolo). In general, they deliver as promised at a very nice price point. You'll find that the range in variation for the knob settings tends to be a little quirky on the Joyos -- for instance, the tone knob will not do much for several ticks and then suddenly the sound will change significantly. Same with drive and volume. But with just a little patience, I'm still able to nail down good settings. I use this for both my strat and my weissenborn lap slide, going into a '62 Fender champ. I suspect any good tube amp will get along well with this pedal. The distortion sound is mild, mid-rangy and smooth, pretty much the TS profile. Don't get this if you want heavy distortion or fuzz -- there are other pedals for that. This pedal can give you a nice tube-y sounding boost with a smooth breakup on power chords. For soloing on higher strings it's mainly a boost with a little sustain. Doesn't kill your tone, but it does have a mid-rangy EQ profile, so you're not going to get a big bass boost with it. Build quality seems solid, but I haven't gigged with this guy yet. Huge value for the money.
By Nathan Christie
December 14, 2017
I normally don't write reviews, but I like this pedal. I does not sound exactly like a Marshall, but we all know that the only way to accomplish that is to buy a Marshall. I have never used the Tech 21 British pedal that this is a clone of so I can not say how close it comes to that, but I won't be dropping $170.00 anytime soon to find out either. I bought this to run on a VHT Special 6, which is a single ended tube amp. I am running Mullard re-issue 12ax7's and a NOS RCA 6V6GT. With that set up this pedal does a pretty good Marshall tone. Gets even closer if I swap the 6v6 for a EL84. In fact, it does the best $35 worth of Marshall tone I have ever bought for $35. The settings are very close to the Tech 21 setting guide, at least to my ear. I can get a fairly decent vintage Plexi out of it. The true bypass is also clean, unlike other clone "true bypass" pedals I have tried that were not actually true bypass and sucked the tube tone right out of my amp. It's not a high gain pedal, more of a boost and voicing/foundation pedal. I liked it better than my tube screamer clone as a boost so I don't even use that pedal now. It works good in my effects loop too which is actually touchy on that amp. The EQ is nice if you have a small tube amp that has a fixed tone stack like mine. This pedal also does not take away from tube amp responsiveness to touch and attack like my tube screamer clone does. It does get noisy like other reviewers have stated, especially when you start to crank the voice knob past 12:00 or dime the drive.That's why I only gave this pedal 4 stars. Otherwise, for value for the money I would have gave it a five. I'm impressed at what Joyo put into this for the price, and I will try their other pedals in the future now.
May 30, 2017
I bought this based on price first and then reviews. This was intended for playing around at home and not professional use. I usually read through the 3 star reviews and just tally the 5 star and 1 stars because the 2-4 stars stand a better chance of being honest (in my opinion). Anyway, for the price there wasn't much chance of becoming enraged should it turn out to be junk. After ordering the JF-08 I saw another unit that looked promising as well so I went back and did a closer scrutiny of the reviews to determine if I should try to cancel the order and order the other unit. On this closer scrutiny I noticed that almost none of the reviews for the JF-08 were applicable to the JF-08. They were for compressors, distortion, reverb...everything except a Delay (which is what I am writing about!). What the heck is that all about? I was getting torqued just because of that, but I realized I must share the blame for not reading close enough to see that. Anyway, the unit arrived the next day. I unpacked it, plugged it in and it worked great. I was a bit concerned at the lack of a Mix control because I was looking for some subtle slapback, not a rambling echo.echo.echo... As it turns out, the Level control is not really a gain compensation but it actually controls the wet/dry mix so that made me happy too. As far as induced noise, I didn't notice any at all, and I used a 9V transformer instead of batteries. Yay again. I was able to dial in the exact effect I was looking for so what's not to like. For the price, this was a winner for me.
April 13, 2017
Pretty cool knock-off of the Schaller trem or Diaz Tremodillo. This is my 2nd or 3rd Joyo pedal, and my favorite thus far. I don't care for the cheap jacks, but you get what you pay for, and I can always replace them if they break (I work on pedals all the time). I've got a scratchbuilt improved EA Trem (with two footswitchable speeds) and a cheap little Danelectro Tuna Melt. Other than the crummy bypass and plastic construction, the Tuna Melt is my favorite since it has the hard/soft switch. The improved EA has a great preamp for guaranteed unity gain (or more), and the footswitchable speeds that I added gives it extra flexibility. But I think the Joyo trumps it by just a little bit in that the core trem sound is a nice blend of the Tuna Melt's hard and soft settings. So part of this is really a subjective take on this flavor of trem, but suffice it to say if you've tried a few, this one will probably satisfy you at least a bit. No unity gain issues, and the speed and depth have a good sweep throughout their ranges. And it's just a niggle, but how hard would it be to get the word "tremolo" silkscreened so that it's centered on the box? At least there's no skull and flames like on the High Gain Distortion.
August 17, 2016
I bought the Joyo Ultimate OD mainly because it was cheap and I wanted something to stack with my Bad Monkey, which would have a little more drive. Very pleased. Now for a deeper look. I keep the mini toggle on LOW as it compresses the signal and creates a bluesy tone. The HIGH position is looser and louder-not bad at all, just not my style. Most folks will probably prefer HIGH over LOW. Build quality is as good as anything else. Not sure what's under the hood, but the pots and switches are good quality as are the jacks and 9V connection. The pots all have easily discoverable sweet spots. I had it dialed in to my preferences in minutes. It IS gain-y. With the drive at 10 o'clock it provides what I'm looking for. Higher gain settings are nice, too. I use the Bad Monkey to push the U OD, setting the Monkey's gain very low and the level up to push the volume and clarity of the U OD for solo work. Great results with Fender tube amps, a red stripe Peavey Bandit and an assortment of tube and SS modelers. If you are looking for that "in between drive" tone straddling OD and Distortion...this will make you happy. Plays well with stacked pedals and is tube and SS amp friendly. Downside....? That hideous devil face graphic. It's embarrassing! Woulda got a 5 without the devil face...LOL.
By Ryan Rister
August 8, 2016
Love this pedal! FYI- there is a ton of volume on tap, so start out low. Read all the other reviews for tone. I just want to tell you about the inside's of this pedal. Great build quality on the PCB. Two red 5mm led's for clipping. true bypass switch is just fine. Jacks are pcb mounted, but they are pretty solid. 9V jack is about the same as Boss pedals...just fine. Now for the bad......the ribbon connector going from the pcb to the true bypass switch is HORRIBLE. I recommend replacing this asap. The ribbon connector's wires are super thin and break VERY easily. I removed it and soldered six 22awg wires in place of it. Much stronger, and I swear it sounds better. This soldering job is not for the novice...you need a very fine tip on your soldering iron and quick soldering skills. These Joyo PCB's are good...but not so good that you can really heat them up....the pads will lift. I used a 40w soldering iron and was quick with my connections. I am attaching a pic of the PCB for all you DIY geeks out there. Notice the broken ribbon connector at the bottom of the pic! Other than the ribbon connector, I love this pedal! Well worth the money....been using it live for a year now. Cuts through the mix nicely. Also has a presence control trimpot on the solder side of the PCB to tweak the mid's to your liking, if need be.
By M. Hall
July 19, 2016
Honestly, I just bought this a throw-in to bump an order up to get some small items shipped, but for the price, I was surprised... I had heard that the Joyo stuff was great value, but I didn't think I'd be as in love with this little thing as I am! As you can tell from the name and the colors, this is essentially a budget clone of the venerable Ibanez Tube Screamer (it even uses the same chip as the orginal.) It's got three controls like the original (Drive, Volume, and Tone.) The bright yellow knobs are easy to see, even in a darkened room. It claims true bypass on the pedal... now I've heard varying accounts as to if the Joyo Pedals actually are true bypass (some things I've read say they use Millenium Bypass, and I haven't cracked this open and ogled the board) but what I can say is that this pedal seems pretty transparent when it's off. It can be powered by 9V batteries or a 9V DC center negative adapter. It seems very solidly built, despite being stupid cheap. As for tone: it's classic moderate-gain Tube Screamer stuff, with the mid-hump that the originals were known for. Sounds great to give a clean amp a little bit of dirt (using a strat with the neck pickup on a clean tube amp gives a very nice SRV-type tone) or for driving an already crunchy amp further. Even with the tone knob dimed, it's fairly mellow in sound, not shrill or grating at all. It's not an incredibly versatile pedal -if you're looking for super-hi gain or Big Muff type tones, this won't be your bag- but what it does it does well. There is a slight bit of noise, but nothing out of line for a gain-based effect. I've heard much worse. You can't go too wrong with this pedal for the price, really.
July 1, 2016
I bought this pedal for fourteen smackers and that included prime two day shipping on a special that amazon had. I sanded it and took off the demon picture and repainted it. I still don't understand the devil thing and hard rock music. What makes people want things that represent evil? Anyway, it is a decent pedal. It is very much a distortion pedal not an overdrive. Even at the lowest setting it is mildly distorted. There is NO clean sound from this pedal. It can't be used as a clean boost. At about 8 o'clock on the gain knob you will notice a fairly quick jump from "not much" to "noticeable" distortion. It is not real gradual as you might think. The tone knob can give you shrill treble when dimed out and at about 12 oclock it becomes very muddy. It can cause some serious feedback when turned up, and that can be fun.....or not. Next to my Klon it sounds very compressed and therefore can get lost in the mix. Having said all that, it's not bad for the money. I would not have it on my board as a standard, but for the occasional Hendrix song it can scream.
By Patrick A. Foster
June 27, 2016
I bought this Compressor on a budget, hoping to give a better dynamic 'feel' to my playing. I was 'hoping' for a nearly endless sustain effect, as i had gotten with compressors in the past. The first setting i tried was with the level control about half, the attack control low, and the sustain nearly all the way up. It did NOT produce the 'tube-like' compression i was 'expecting.' i played around with several scales and chord shapes and i could definitely 'feel' something was different. it didn't seem to, at first, noticeably do MUCH though, until i switched it off and compared it to the 'clean' sound. as soon as the pedal was turned off the sound was very thin, as if muffled somehow. i checked all my cables, amp settings, (turned the master up a bit) and everything was fine. Playing with the clean sound a few moments made me realize just how thin my old telecaster's tone really is, and how much this compressor 'fattens' every note played, a much more 'THERE' dynamic feel, (How else to describe a guitar effect xD) it does add SOME sustain, though it wasn't the endless sustain i expected.
By Bob P.
May 5, 2016
When I first fired this pedal up and started turning the knobs I hated it. Then I found the presence pot inside and also started using some unconventional settings. Most distortion pedals I own sound best with their volume knobs past 2 'clock, tone around noon and distortion 3' oclock. Not this one folks. At least not for me. The magic really happened for me when I dialed the presence pot back a little bit, turned the tone knob all the way up, volume around 9'oclock and gain way down around 7'oclock and MAGIC!! Excellent AC/DC type rhythm sounds (but it does have it's own thing too kind of) and outstanding lead tones when engaging the gain channel on my amp. Bump the volume on the pedal up a little if you want a volume boost for leads but make sure to compensate with the clean channel amp volume. I paid under 30 dollars for this pedal brand new and it's better than some of my pedals costing double or more. My only gripe with it is the audible "pop" it makes when engaging it but I am keeping my rating at 4 stars because it's going to be an "always on" pedal for me. So if you buy this pedal be sure to take the back cover off and adjust the presence pot to your liking. Me I liked it dialed back some, you may like it turned up some. As I said at first I thought this pedal sucked until I started to dial it in with some unusual settings. now it's going to be a mainstay on my board and will be my main rhythm crunch. I'm even going to buy another one as a backup. Great job on this one Joyo!!
May 1, 2016
First off, I have heard and played an OCD pedal, but never owned one. I bought this pedal instead, after hearing of its unique Marshall amp big mid to low darkness. I play a fender HRD with an matching extension, and have used this pedal with a Tele Thinline, A Gibson LP and an Epiphone 335 pro. This is not a subtle overdrive pedal. this is huge and dark and big and will color your sound and beef up the bottom end. The build and controls are good, and the high end/low end switch is dramatically different in tone, but make no mistake- this is a distortion pedal- for big, 90's style wicked bottom end. It's not super versatile, and is the furthest thing from a transparent overdrive- but if that's what you want, you cannot go wrong. this is a mid range to low end booster. You want to use this with a scooped amp with a lot of head room, the same way you would use a tube screamer(except for the extreme distortion)- so if you play a Fender style amp great, if you play a Marshall style mid-hump amp, be aware, its overkill mid boost wise- it might not sound terrific.
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